Another Unreview - Fat Goblin Games - Gnoll Artwork

As I mentioned before, I am working a OSR/AD&D character class for Gnolls. It's still a work in progress, I am slow has hell. I've never drawn a gnoll in my life, so it was time to get some artwork from someone else.

I made a DriveThruRPG purchase of Fat Goblin Games artwork. The publisher's name is rather longer than that: "Publisher's Choice Quality Stock Art Ⓒ Rick Hershey / Fat Goblin Games".

I hope I got the artist name correct, because this is fabulous artwork.

In my discovery process for using other people's work in my products, I read through the licensing agreement, something I haven't done in a very long time. The license is excellent, probably covering any thing you might want to do with the work. There are some restrictions, which are also well thought out and completely reasonable. You get exactly what appears in the preview and cover, at a much higher resolution and in .tiff file format. So, fear not when ordering. It's all good.

In looking at it the artwork, I realized something. It doesn't fit with my style at all. My work is rather low end, and to be honest, this artwork is way too good to be paired with my works. I won't be using as a style choice. I have no idea what I will do. However, I will be framing a copy of the Gnoll for my game area. It is a very nice piece, which will be very suitable for other, professional content producers. I'm a hobbyist, not a pro.

What I am really looking at is the subscription model. For less than $100, you can get a 100 images by Mr. Hershey. To be brutally honest, I have no need of such a stockpile of work, but I want it. I want it for no other reason that it looks great. Even if I only LOVED 1 in 10 image, that's a steal for a card sized mini-posters for the game room.

Even better than 100 images for less than 100 bucks, is his Patreon account. I totally missed this aspect of Fat Goblin Games and wouldn't have known about if Merciless Merchants over on MeWe hadn't pointed it out for me. Thank you, MeWe community!

I would request a minor update from Mr. Hershey. A second file with a signature. I know Fat Goblin Games is looking at a completely different model of business, but sometimes good artwork is simply to be appreciated and needs an artist's signature.

I'm not going to do my normal stat-block for this unreview, It's great stuff. I'll close with 5 of 5.

52 Weeks of Magic - Item 31 - The Strap of Stamina and Strength

The first character to find this magic item will probably use it wrong. It is a toggle on a leather loop or strap. The character will notice that the leather loop will grow or shrink on command. The largest and small sizes are 6 inches and 2 feet. It sort of looks like a lanyard. If worn like a lanyard, the wearer will be immediately healed at a rate of 1 hp or whatever their constitution bonus is. This can happen once per week.

Some may think that it is a key chain, a necklace, a lanyard or other common device. It is obvious not a weapon but does hold power. 

It IS activated by being placed around the neck, but all humans and demi-humans are using it wrong if they wear it.

When placed around a dog's neck, the Strap of Stamina and Strength confers the following abilities: 

• The dog will be granted maximum hit points for it's type. 
• They will also grow to the maximum size for it's species or bred. 
• The animal will gain human like intelligence, to a maximum of seven (3+1d4) 
• The dog will be able to speak common, although it will speak only when it thinks it is necessary. 
• The dog will become territorial and defend a specific person or area of it's choosing. This maybe rather nebulous to characters, such as all children, one woman, a house, a forest, a lake, etc. 

Additionally, the dog is able to regenerate 1 hit point per round to full health, once per week. This requires sleep. 

One of the side effects of The Strap of Stamina and Strength is the animal has free will and will not necessarily follow the person putting the device on the dog. For this reason, it cannot be placed on a familiar or animal companion. They will frustrate all efforts to be collared. 

Once an animal is collared with such a device, they will attack anyone who attempts to remove it. The Strap is all but indestructible once placed on the dog. The Strap will magically free a dog if a leash or lead is attached to the collar. The Strap will phase if it becomes stuck on a natural obstruction and remain with the dog. 

52 Weeks of Magic - Item 30 - Elven Firebeads

In my very first post for this series, Magic Lamps, I introduced the idea every day problems caused by magic. A magic lamp or a light spell doesn't throw heat. Back when we all lived in caves, we probably needed light more than heat. However, knowing you can make both is great.

This magic item is very common in the elven lands in the Peninsula of Plenty campaign. The first elves in the land were unwilling to cut down trees and as a consequence, used magic for lighting. This was not helpful when they were hit by particularly cool monsoons. The Peninsula doesn't often receive snow outside of the mountains, so when it started falling right after the cold monsoon season, the elves were in trouble. If they had wanted to collect wood, it was too late to identify the best wood and proper kindling. The first attempt at a colony on the Peninsula retreated across the sea because of the lack of fire.

Thus the need for Firebeads were born. Firebeads look very much like prayer beads. To make them function, the user pulls a bead off the end, cups it in their hands like an ember and blows on it. The bead will warm, then burn like kindling for two hours. The beads have an affinity for earth and ash. They will roll up to 3 feet towards earth and ash, even up hill. A typical set of firebeads will have 52 beads with one large bead or toggle at the end to serve as a handle.

Empire to the left, Elven lands to the right.

In the elven lands, every household and every traveler will have one of these sets. In the human lands, they are highly prized treasures as they have not found a way to reproduce the magic. Creating such an item requires both a magic user and a cleric working in tandem.

Firebeads are interesting in the fact that they are a magical consumer product. They can burn homes down and they can inflict a point of damage, but only in highly contrived scenarios. For the most part, they are totally safe.

While totally common in the elven lands, they are a novel and highly prized commodity in the Empire. Most Elven-Human treaties involve the trade of Firebeads for Verbena, a powerful healing herb. These products are used to seal deals because they cannot be used as a weapon.

52 Weeks of Magic - Item 29 - The Witch's Staff

A witch's staff is empowered by contact with owner. It is a personal magic weapon, which cannot be wielded by anyone other than the mage, while the owner lives. If the owner passes, the staff will attempt to reach their next closest family member. Failing that, it may pass into the hands of a dear friend.

The staff has several benefits. First, it improves the wizards night vision, so they may see and read more easily at night. It is more like low light vision than infra or ultravision. There must be some source of light, even if it is starlight. Second, it confers a bonus of one to the mage's Dex bonus, allowing a +1 even if they do not possess an ability score high enough for a Dex bonus. If the mage isn't entitled to use their Dex bonus, they lose this bonus, too. The witch's staff is a +1 weapon that will inflict 1d4+1 in melee or release a dart of energy up to 20 feet for 1d3 points of damage. The dart of energy is a once per round effect, they do not gain more darts per level, nor can the darts be fired as fast a mage could throw a physical dart. The mage may not swing and fire a dart in the same round. 1d4+1 and 1d3 are not typos. This is the cost of having a staff that does multiple things. If the mage is reduced to 4 hit points or less, the staff will heal them for one hit point a day, in addition to any natural healing. If the mage is tied up and is in contact with the staff, the staff will cause ALL knots within 10 to 60 feet (1d6x10) to unravel, freeing the mage and possibly others. It will do this at the time of the mage's choosing. It can and will unravel the knots on clothing, shoes, armor, nets, etc. and this function is all or nothing. It is not selective.

There are dangers to creating or owning a staff like this. If someone grabs the staff from the mage's hands, it will sting them for 1d4+1 points of damage and they will let go. The mage may swing at them in the same round. If the staff is left someplace and someone touches it, it will sting for 1d2 point damage. If the person persists in their efforts to pick up the staff, it will "bite" them for 2d4+2 points of damage. The wound will actually look like an animal bite, even though the staff has no teeth or mouth-like structure. This is normally fatal to average people and the law may take the staff owner to task over this. A person who is bit by the staff and survives will not willing enter line of sight of the staff ever again. The staff will not bite or sting animals, family members or dear friends.

The wielder of such an item cannot be multi-classed or duo classed, EVER. The witch's staff will not accept them and will not reveal any powers to such a person.

Domesticated animals, even hostile ones, cannot be harmed by the staff even if swung at them. If detected for, the staff has an alignment of true neutral. This has no bearing on the mage's alignment or their ability to use it. It's a tool.

Owning a witch's staff will reduce the wielder's hit points by one per level. A third level mage will have a max hit points of 9, plus a Constitution bonus, if any. If the staff is lost, destroyed, etc. the hp loss is permanent. Replacing the staff with second staff will drain an additional 1 hp per level from the mage. A third will do the same, leaving the mage with but 1 hp per level. Taking up a fourth staff will transform the mage into a green slime, even if they had a Constitution bonus or some other magical means of boosting their hp over 1d4 per level. They cannot be resurrected or reincarnated, as they aren't dead. Nothing short of a wish will allow them to recover. If wished back into their normal form, they will be unable to wield a Witch's Staff.

This weapon was designed for old school D&D and AD&D campaigns, but should be usable in other systems. The terms "witch" and "mage" has been used throughout so that users could be an actual witch, an illusionist or a magic user. It is not appropriate for druids and clerics.

This magic item steals heavily from R. A. MacAvoy's Damiano Series of books.

AD&D Spell Magic User - Aware Air

Aware Air

Level: 3                                                                                                    Components: V, S, M
Range: 0                                                                                                   Casting time: 1 segments
Duration: 6 rounds                                                                                 Saving Throw: None
Area of Effect: 36"

Being caught in melee is an occupational hazard for magic users. Aware Air gives the spell caster a supernatural ability to track threats out to 36" (360 feet indoors, 360 yards outdoors). Casting the spell takes but a single segment, but precludes attacks and other magic for the round of casting and the next round.

Aware Air will alert the magic user to moving targets in a 360 degree sphere, regardless of line of sight or illumination. This awareness gives them a bonus of 1 to AC and also means that moving targets cannot flank or sneak up behind them, even if hiding or invisible. They can't see details of the invisible person, only the fact that something is there. The spell will give the caster a bonus of 1 against illusions as it is one more point of data to allow them to disbelieve it.

The caster is aware of trees, bushes, etc. moving in the wind but will filter them out as non-threats. If the caster is in a body of water, they can only see above the surface. Moving liquids are opaque to this spell. Casting this spell underwater is ineffective, however it will create a sphere of airy water for two rounds before dissipating, out to 36". 

The caster is NOT aware of non-moving targets. They cannot see barriers, meaning there could be a wall between them and the tracked target. In respect to flanking and backstabbing, if the enemy is already in position, within reach to attack and motionless, the mage will NOT see it coming. They do keep the bonus to AC. Likewise, the spell doesn't reveal traps because they typically don't move until sprung.

Creatures that teleport cause the caster duress, they will jumps-startle when something teleports within the sphere of the spell. This completely breaks their concentration. Blink dogs are particularly distressing. When fighting Displacer Beasts, the mage will see two copies of the creature and will be unable to detect which is real until someone either makes or fails a strike on the beast. If an Air Elemental is within the range of the spell, it will be the ONLY target tracked. Air Elementals in range of the spell can speak directly to the caster, as if they are whispering in their ear.

If the caster moves faster than a jog, they can only detect targets to their front and in their path of travel. If the caster stops running, the spell becomes a spherical effect again.

The material component is a feather plucked from a living bird. Found feathers do not count.

Never, Ever Do I Ever... Horses, Drownings and First Aid.

I never let my characters have a skill called "horsemanship", "swimming" or "first aid". Know why? Killing a player because they don't have these skills is painful. Boring. Nothing is worse than being in bored and in pain. I wrote a book just for that reason. 

If a player wants to role play that they can't ride a horse, the other players can cart him around like a bag of oats. No need for silly rolls. I'm not prepping a campaign for players where one of them wants to die of a horseshoe to the face.

How hard it is it to jump in the ocean in a full set of plate armor, shield and sword? Super easy. Why roll? It's obvious as to what happens next.

One time, I amused myself with this very scenario by having the player to roll a four to succeed. As an epic battle of life and death raged around him, he was the only person not in on the joke.

"No... you're still aliv- er, hanging in there... keep rolling..."

I have this rule that characters aren't dead until they hit -10 hp and once you hit zero or less, you lose one point per round. Anyone attending to that character stops to the hit point drop. It creates an interesting scenario where the wizard drops to -4 hp, and all the way down to -7 before the cleric hits him with a cure light wounds for 4 points leaving them at -3 until they heal naturally. It's a couple of days before the wizard wakes up.

No need to screw any of the characters by telling them the medic couldn't figure out the arrow was the problem due to a bad roll. This is realistic for some reasons and total BS for others. In the Middle Ages, if you didn't respond to treatment, they'd bleed you. Save vs. Barber? No thanks.

Why do this? Because I like to reuse bad guys. A dude with a club isn't assured of killing someone with it unless they beat that person downed and beyond. If THAT doesn't occur to the players, well, I can be lazy with their enemies and they can have endless rematches with opponents. My NPCs can have names.

Which is more legendary, beating someone to death in a dark, dank, dungeon or having a horde of people who refuse to fight you because they don't want to be whupped again, third time this month? 

In my last aborted campaign, the "heroes" hacked apart 4 raiders that wouldn't surrender and took two captive. The captives were obviously intimidated by the PC's bloodthirsty treatment of their friends. Although the campaign ended, one of the players put two and two together and realized that the prisoners were the ones responsible for most... actually all of the raiding parties kills in the village. The 4 guys killed were a patrol that didn't mix it up with anyone. They let the wrong people live.

Trust me, that would have come back to haunt the party.

The lesson is, don't give people stupid skills.

#Inktober2019 collision - D&D meets Ink

This is an inktober2019 collision. I've been working on a map of a Roman themed city called Nace for a D&D campaign. The characters found a villa, but I really didn't have any idea of what it looked like. 

I tried a couple of sketches and mostly liked the results. I don't know why my scanner is clipping the edge. If I get time, I will update these scans.

Update for Zero to Hero: Uncommon Commoners!

Send out the criers and the messengers. Have the herald hoist the flag. Zero to Hero: Uncommon Commoners has been updated with several new classes, some campaign notes from history, and many rewritten sections for clarity.

Ever wonder what the difference was between a papermaker and a parchminer? How about a leather worker, a lorimer and a tanner? What is ostracon? What is the difference between amate and papyrus? All updated to answer your questions.

I was thinking of holding off on this until November, but had the chance to get things done this week.

Everyone who purchased the old product can download the new product from their Library on DriveThruRPG.

If you haven't looked at Zero to Hero: Uncommon Commoners, let me tell you what it is and is not. In B/X and AD&D, characters were permitted professional skills to supplement their backgrounds, with nary a word on what those skills would be or how they would work. After decades of play and having my players want to have useful and memorable NPCs or codified professional skills, I wrote a set of rules to outline many common professions in historical times.

This expands in the information from D&D and AD&D, in a way that is very different than "skills" or "feats". Each commoner class member can advance up to 5 levels, from apprentice to master with hard work. Level determines the ease of success when operating as a professional class. Each class has distinct tools and skills, and where crossover exists, I have explained how these characters would work, while leaving the rules open to interpretation so they can fit into any D&D or AD&D campaign. 

There is commentary on economies, hiring, firing and all other aspects of gaining skilled tradesmen. Make no mistake, these are not alternate adventurer classes, they supplement the player characters, not replace them. It is not a sieve or character filter. In fact, this rule set can rescue hopeless characters and save you time at character generation.

It also answers some age old dilemmas about who can do what and why.

Price at PWYW, this rule set can enhance your campaign. Go ahead, give it a try.

AD&D to 3.5 and Beyond. What Alignment to Be When You Can't Decide?

Picking an alignment can be difficult if you game style revolves around roleplay. Many of the alignments have a certain give and take within them which causes ethical dilemmas... except one.

Neutral Evil, by the definitions in the book, doesn't really contemplate ethics. The Neutral Evil character doesn't really debate ethics, they debate outcomes. They want what they want and they know how to get it.

Neutral Evil people are evil because they are selfish and see the world as an evil place. Why not do what you like?

Most well adjusted people look at evil characters with trepidation. Evil for the sake of evil is bad. However, when it comes to party dynamics, the Neutral Evil character seems to be the most stable. They are always up to the same old crap, only the prizes changing. What is interesting about this is they want stuff for themselves, they are not necessarily there to cause problems. Especially when a problem interferes with obtaining an objective.

The classic Neutral Evil move is to cause conflict in others. "Am I really going along with this?" Why, yes. You are.  Neutral Evil characters are somewhat the core of the parties ethics. They see an objective, they get the objective. But by causing these ethical conundrums within the party, they do some arm twisting while also turning their own tactics on their head.

If a Neutral Evil character knew that they could have an amazing, priceless tool they would want to have it. If it meant donating a 100, 1,000 or even 10,000 gold pieces to a lawful good temple, they'd weigh the cost of killing everyone in their way, then fork over the money. Who cares if they just funded an orphanage, they got some great out of the bargain. Neutral Evil characters believe the world is evil, so backing a good cause is a meaningless thing to do because they believe it will end poorly. It's aligned with what they believe. They don't have to try to pay evil unto evil, because they really think everything is evil, all choices are selfish in the long run. 

Neutral Evils are sort of suckers, while they imagine that everyone else is the fool. Within the group, they have a tendency of currying favor to get what they want. They might be the person healing every day or handing out potions of healing to make sure they, themselves, don't die. They might forego some immediate benefit because it serves the cause of getting something better later. And they tend to drag the party with them.

By picking the path of Neutral Evil, you have reduced your character's complexity and dropped that dynamic in someone else's lap. The paladin, ooo, he hates you for being right so often.

Remember, people want to believe things are relative. Sometimes they are not. You don't have to be some axe-crazed killer to be evil. You can be an affable, kind person with some really bad habits and goals. This is the role of Neutral Evil. They think, plot and plan to get the most out of any situation, which is oddly exactly what the rest of the party, regardless of alignment are probably doing.

Fighter, Cleric, Monk, Swashbuckler

I wrote up a character class for D&D and AD&D for Swashbucklers. What the heck is a Swashbuckler?

They are fighting men who have come down from on high to lead the masses of little people in the trenches. They are trained in sword fighting. Swashbucklers name their swords, their daggers and their junk. They like to drink and have high society type parties, even if they are not of that social standing. They might have tattoos of Payton the Runner, Pele the Asskicker, or other famous fighters on their person. They can dance around in combat, picking and poking people left and right, without killing anything. They can't be flanked or backstabbed when dancing about like this, nor can magic users concentrate when in close quarters with them.

In fact, the only way they can kill is by rolling a natural 20, monologuing for bit and if the person doesn't run away or surrender during "The Talk", they will stab them through the heart for double damage. On the off-chance they are forced to use lethal combat, they fight like thieves and clerics, without the backstabbing, heavy armor and magic.

So how does that compare to Clerics, Fighters, and Monks? Let's join the conversation, shall we?

Fighter: All that junk you do?
Swashbuckler: Yeah, pretty great uh?
Fighter: No, it's called sparring.
Swashbuckler: Really? That sounds like fighting words.
Fighter: No. Fighting words are said at the funeral. Better if they can't talk back.
Cleric: Both of you need to come to church.
Swashbuckler: Alleluia, brother!
Cleric: I'm a woman and I follow Kos. So, no on both accounts.
Fighter: Have you ever been on campaign?
Swashbuckler: I think so, was there booze?
Fighter: No, only watery ale and roasted smeerp. The ones with the 9 tentacles, not the ones with funny ears.
Swashbuckler: Sounds dreadful.
Fighter: Have you ever eaten iron rations?
Monk: Yes. I eat food, I just don't enjoy it.
Swashbuckler: So, brutha, what do you think of my moves? Pretty great, right?
Monk: It's all kabuki.
Fighter and cleric: Snort.
Monk: See this thumb? This one, not the other one.
Swashbuckler: Yeah?
Monk: This one goes in your eye and the other goes in your bum. Then I kill you.
Swashbuckler: How uncivilized.
Cleric: It's all relative.
Swashbuckler: You get it sister, we don't draw blood until we have to.
Cleric: Have you ever seen a flail?
Fighter and Monk: Snort.
Swashbuckler: I think the important thing is, we are all different and have our places in the world.
Fighter, Monk and Cleric: Chuckle.

AD&D Druid Spell: Arclight

In the campaign Peninsula of Plenty, the City of Nace is a fair city. As a fair city, travelers from far and wide come to purchase things that otherwise cannot be found. The main products sold are magical plants and herbs for the creation of healing and restorative potions. Some of these plants can also be used to make high quality inks for mundane and magical scrolls.

The garden where these plants grow has been magicked to allow production all year round. Since the gardens are very nearly in the center of the city and have virtually zero physical defenses, the druids, clerics and magic users who tend the garden need special eldritch defenses.

Typically, druids answer the call as frontline defenders, their magic is more subtle than magic users and clerics. However this is a general guideline, not the rule. The druids of Nace have developed a devastating area of effect spell, which does not damage the garden. They do not know the term "upward leader lightning", but they do know how to make lightning jump from the ground, through a target and into the sky. They call this Arclight.


Arclight

Level: 6                                                                                                    Components: V, S, M
Range: 0                                                                                                   Casting time: 2 segments
Duration: Instant                                                                                      Saving Throw: Special
Area of Effect: 10 yards

Arclight is a powerful spell which will cause a lightning stroke to leap from the ground below a target and into the sky. This spell is an area effect spell which is targeted on the ground below the target and does not move with the target. The spell has two damaging mechanisms, both allows a saving throw.

In the first segment of casting, a powerful electric charge forms below the target. They will sense this by the heating of their body, a corona around metal objects and a crackling sound. All creatures in the area of effect are entitled to a save vs spells. If successful, the target(s) flings themselves out of the target area taking 1d3 points of damage. They are stunned for one round and are prone. If unsuccessful, the target freezes taking no damage.

In the second segment of casting, the lightning discharges. Victims in the area of effect take 6d6 points of damage. A second saving throw halves the damage. If the victim doesn't die, they are stunned for 1d6 rounds.

If a person in the target area is flying, they can escape with no damage if they make the first saving throw. If they are forced to make the second saving throw, they will also fall out of the sky due to being stunned. This is typically a graceful wallowing, not a plunge and inflicts no more damage.

Levitation provides no protection from this spell, in fact, it will disallow ALL saving throws, period.

If a target normally or magically has the ability to leap, bound or stride great distances, they are entitled to a +2 to each save. This is normally limited to haste and jump spells, boots of striding and leaping or other items available in your campaign setting.

Since the boundary of the area is not visible, mechanically speaking, someone sprinting will be unlikely to be in the area of effect, unless they are incredibly unlucky. It is very difficult to target a runner, but it is possible to cast at an empty area and hope someone will run into it. This requires great timing, there is no roll for this. The DM should give the target the benefit of the doubt, either adding a good bonus to a save or declaring that they crossed the area too fast to be caught in the spell. It is possible to measure out the movement, but really is too complex for fast play. It could be described for dramatic purposes.

If a person standing on the edge of the area attempts to push someone back into the area they are escaping, contact with the victim will cause them to suffer the same fate as the person pushed. They are not entitled to any saving throw, they take the exact same damage as the victim. This is the price of being a jerk.

This spell does not damage non-living things, however it will damage undead. It does not cause flammable items to burst into flames, unless the DM rules that it does.

Additionally, if the caster attempts put themselves in the area of effect, the caster receive no saving throws at all and the damage will be a full and flat 36 points.

AD&D Druid Spell - Bolt from the Blue

In my campaign, the druids of the City of Nace need an offensive spell that does not damage property. Bolt from the Blue is it. The Gardens contain many magical crops used by the Empire. Due to the healing nature of these items and the unique environment required for the plants, the Empire uses them as a both a good will item and a soak for their enemies.

The Empire is often on the edge of war with both the Dwarves and Elves. These products allow the Empire to bribe off their opponents with magic or sell them at a premium to the same to divert funds away from the war machine. The Elves and Dwarves use the price of said items as a means of measuring the Empire's war drive. Low prices tend to indicate the Empire is NOT willing to be aggressive and may be facing some sort of other threat. The Dwarves have no comparable magic, while the Elves do. Cost of shipping from the Elven homeland makes the human Empire's market work.

Bolt from the Blue

Level: 5                                                                                                    Components: V, S, M
Range: 0                                                                                                   Casting time: One segment
Duration: Instant                                                                                      Saving Throw: Special
Area of Effect: One creature

Bolt from the Blue is a precision lightning spell, which only hits one target. It can only be cast outside and requires no visible storm or cloud. A bolt of lightning streaks to the target, almost horizontally from the horizon. The bolt will avoid all other objects and creatures to strike the target. It will not damage non-living items, however, it can be used on the undead.

The bolt does 2d12 and will stun, deafen and blind a creature for 1d6 rounds. If the victim makes a saving throw, they take half damage and are only stunned deafened and blinded for 1d3 rounds. Each one of these effects has a separate duration, so someone could be stunned for a round, deafened for three and blinded for 6 rounds. All durations start at the moment of the strike and run concurrently. There is a chance that someone will be stunned longer than they are blinded, rendering that status moot.

Additionally, if a saving throw is made, the target will have at least one hit point left. It is an excellent and humbling negotiation tactic.

The spell has an odd side effect on other spells and casters. The bolt causes short term memory loss. If a spell caster is struck while preparing a spell, they do not lose the spell. The caster forgets that they ever made the attempt to cast whatever spell they had in mind and can attempt to cast it again. If someone struck is subject to a charm like effect, and they survive the strike, they are immediately allowed a saving throw vs. that charm. If a character is wielding a cursed weapon is struck, there is a 50-50 chance that they will drop it and have the presence of mind NOT to pick it back up. This is a single roll, not two rolls.

The Dungeons and Dragons TV Show Review on Thac0

Ryan Marsh over on Thac0 has been posting reviews of the old Saturday Morning Cartoon, Dungeons and Dragons.

His first post details the main characters, the NPCs and then covers the ins and outs of the episode. I love reliving these cartoons. Having someone else's take on them is even better. Go check these out before Ryan runs through so many episodes, you'll have to binge read. :)

My out and out favorite character is Eric the Cavalier. According to Wikipedia, he was put in the show at the request of parent's groups, to support the idea that the group is always right and the whiner is always wrong. Yeeeesss. But...

Eric annoying yet another friend, Diana this time. 

Eric is 15 year old boy in the 80's. If you weren't to top dog in your group, you were either the distruptor or the yes man. Oddly, exactly zero of the characters are yes men, not even the girls in the series. Which was wonderfully refreshing. The character dynamics were great. They weren't your typical cookie cutter characters.

Presto can't perform unless provoked and he is never mocked by the gang (Teased, yes. Mocked, no). Billy is just a force of nature that the others try to hold in check as he flies off the handle at every opportunity. Sheila and Diana have their own, consistent and important points of views, which very often are not remotely the same. Sheila is the big sister and is protective. Diana is the mistress of personal safety, despite being very caviler when it comes to risking herself. Hank is not some dumb jock pushing people around. Five of the six are positive types of people.

What makes me favor Eric from the get go is he was so abrupt. Six steps past rude, perhaps even dangerous, when he can manage it. Someplace, way down inside, he knows that he is out of place and overwhelmed.

Clearly, if you know what you are doing, Hank has the best tool: A magic bow with not so delineated powers. It's a magic machine for the plot.

Boring.

Eric, has a shield that can encase his friends within a bubble of protection. He has to get in front. He has to be in the line of fire for it to be useful. And he is afraid of most unknowns. But he does what he has to to protect his friends.

That isn't so special, that's just like being a regular human being. Eric could be anyone, anyone could be Eric. That's why I like him so much.

Its been a while since this show has been on the air. Did you forget about? Hop on over to Thac0 and follow Ryan Marsh's reviews. Relive a bit of the magic of Saturday Mornings again.

Oh, No You Don't! Unfettered Magic

All Magic Users (and only magic users) in my campaign have the inherent talent to read and control magic for their own use. Generally, this is limited to the magic user, his own items and knowledge. However, mages also have a darker, more dangerous power which can be used with great care.


Unfettered Magic

Level: 1                                                         Components: V, S, M
Range: 3" (30 feet/30 yards) +1" per level   Casting Time: Instantaneous
Duration: Instantaneous                                Saving Throw: Special
Area of Effect: One Creature

All magic users have the ability to defend themselves from magical forces, by the nature of their studies in their profession. Unfettered Magic is a dangerous defense against hostile magic users. The danger comes in respect to the possible level disparities of the defender and attacker.

A magic user can only cast this spell when they see another magic user begin casting a spell with a Casting Time of one segment or more. It cannot be cast in preparation - I.E. before the other caster begins.

As soon as the last symbol and word for Unfettered Magic is uttered and woven, the other magic user is entitled to a saving throw. If they are successful, the caster of Unfettered Magic also makes a saving throw. What happens next, depends on these rolls.

If the defender makes their roll saving, the caster of Unfettered Magic must make a saving throw to avoid taking 2 points of damage per level of the defender's spell. If they are unsuccessful AND they do not have enough hit points to survive this damage, they are burned to ash and the extra damage explodes in a 1" (10 feet or yards). People in this area must make a save for half damage. The magic user can't be revived to a corporeal form by any means short of wish. Casting resurrection or reincarnation will summon their ghost.

If the defender loses his saving throw verse Unfettered Magic, they immediately lose the spell they are casting and the caster of Unfettered Magic gains this spell, in all ways. They can cast it before the end of the round. If they survive combat, they can scribe this spell into their spell book. If they do not transcribe the spell within 24, they forget it. The magic user is not required to cast this spell at all, they can merely release the energy.

IF both magic users make their save, no damage is taken, but the caster of Unfettered Magic has his position revealed and is now know to be a hostile spell caster. The other caster has the option of targeting them immediately with their current spell instead of casting at their previously selected target. Range and area of effect may preclude this. 

If there is a level disparity, say a 1st level magic user trying to divert a 5th level spell, the user of Unfettered Magic takes one hit point of damage per level of difference. For example, a 1st level magic user gains Magic Jar, they would take 5-1 points of damage, regardless if they used the spell at all. If this reduces their hit points to zero or less, they die. In this case, they can be revived by normal means and there is no explosion as the energy was directed inwards. Note: even if the caster dies, they may direct this spell before the end of the round.

When a magic user uses the Unfettered Magic spell, there is a cool down period where they may not work other magic. The duration of this is based on the level of the spell they attempted to seize. It is one round per level of spell. Redirecting a 7th level spell will result in a 7 round period where the magic user cannot use magic at all. While magic items will continue to function if they function continuously, like a +1 dagger or ring of protection, the magic user cannot use a wand, staff, rod, potion, or cause a miscellaneous item to activate. This limitation occurs on both success and failure.

Unfettered Magic can only be used on actual spells, cast by a magic user. It does not work on clerical, druidic, or illusionist magic, nor can it be used against spell like abilities or magic items, such as a wand of missiles. Non-magic user casters accidentally targeted by this spell will immediately know the location (even if hidden) of the magic user and have a choice to redirect their current spell on to them.

Since most low level magic users have relatively no chance of forcing a higher level mage to fail a saving throw, this is a desperation move, where death is better than not trying. Oft-times, low level magic users will do this when they are within 30 feet of a higher level caster, in the hopes that the explosion will hurt them. Higher level magic users can use this spell with virtual impunity but generally don't because of the cool down.

The First Game Session for Peninsula of Plenty - Beyond the Pale

Fits and starts. I planned this campaign in the spirit of X1 Isle of Dread. The players were gathered together, given the premise, then selected from a series of pre-generated characters (which are all available in the tab above). The goal was to travel from the Capital on the west coast, to a town on the south coast. The Emperor's Council needs intelligence, and sending a party down there was the best option. Simple.

Here is the party at the start:

Melvin the Wise - Magic User, Halfling, 1st level
Matilda the Knife - Swashbuckler, Human, 1st level
Megen the Ruffian - Swashbuckler, Human, 2nd level
Jaime the Fearsome - Fighter, Human, 2nd Level

Not a cleric to be seen. The party wasn't done provisioning themselves, they hired a cook, a hunter as a scout, and a laborer. Then we got to the part where they were to hire a ship. Or so I thought.

It turns out, that in reflecting on the Council's directions to head south, no one mentioned a ship. Not me, not the characters. So the characters used all of their Council provided funds to buy two wagons, hired some NPCs and a bunch of horses. We've gone from Isle of Dread, to Oregon Trail.

Well, I am nothing but adaptable.

The characters decided to proceed south as quick as they could. I mentioned that an inn at the edge of town would be a great place to rest up, have a few drinks and maybe try to pick up a few more party members or NPCs.

No.

Out the gate they went. 5 miles outside the palisades, they made camp. This is exactly what "beyond the pale" means.

The players are sort of wily. It turns out that the wagons have small stoves, tons of rope and wood,  bedrolls and a supply of fuel. They parked the wagons 30 feet from each other, drove in some posts and corralled the horses between them. Water bags and feed bags were hung off the side of wagons for the horses. And decided to sleep in the wagons. Efficient as heck.

Since they lost the opportunity to hire more people, I decided that two of the other candidates were making the same journey and would catch up shortly. In the morning, the party spotted them on the road, and decided to wait.

That when the evil random encounter started. Uninhabited/Wilderness Table, die roll of 02, brown bears. Two brown bears.

Game on.

Jaime and the scout were making their way back towards town to round up the stragglers, on horseback. Melvin, the cook and the laborer were in one wagon, while Matilda and Megen were harnessing the other horses to the wagons.

The bears bushedwacked the first two horses as Matilda leapt into Melvin's wagon and Megen hopped into the other wagon. Matilda stabbed one in the head. As the first bear mauled both horses to death, the second tried to get Matilda. She stabbed him again, while Melvin missed. The wizard got a good bite for his effort and collapsed, seeming dead. The cook went down, next.

Matilda and the laborer went for the other wagon as the bears milled around. For several rounds, the bears milled about deciding to eat the dead horses rather than chase the characters to the other wagon.
 
Jaime came thundering on his horse and began to accost the bears. Megen jumped on the other horse and joined him. Two rounds later, Jaime's horse was dead and he had taken a good hit. Jaime and Megen took refuge under Matilda's wagon. It was beginning to look like a total party kill was in the works.

Thankfully, Jaime's foresight saved the day. He sent the scout ahead to get the two trailing NPC's: Rona and Gurwinder. He dropped Gurwinder off some distance away and went back for Rona without provoking the bears.

Before Jim the Scout could get back with the cleric, Gurwinder and the rest of the party trapped the bears between long range missile fire and rear attacks. Since the party had the cover of the wagon, Gurwinder could shoot the bears in the back with little chance of hitting friendlies. The repeating flanking attacks melted the bears AC away and they were done in just three rounds. 

Click to enlarge. Blue crossed
swords indicate party position.  

At the end of the day, the party lost 1 laborer, 3 horses, Chef and Melvin. Melvin didn't die, he just wants to go home. His player now wants to play Gurwinder, instead.

Ok, fine by me.

Under Gurwinder's direction, the party took one wagon back to town, sold the bear and horse meat along with their pelts. They paid burial expenses for the cook and laborer. With the additional funds from the kills, they obtained two drovers to drive the wagons and care for the horses. They are a husband and wife team, Felix and Felice. They also bought 2 horses, one for Jaime and one Megen, and four oxen to pull the wagons. Matilda, Rona and Gurwinder don't ride (by choice), so Jim the Scout has the last horse.

The party has now agreed to head to the next town with the intention of picking up a healer or another cleric and missile weaponry for everyone. They also desire either a pair of ponies or smaller horses for the shorter characters (Gurwinder and Melvin), plus more oxen. The next settlement is 18-20 miles away, the next small town is a little more than 30 miles away.

Here is the party as of now:

Melvin the Wise - Magic User, Halfling, 1st level, NPC
Matilda the Knife - Swashbuckler, Human, 1st level
Megen the Ruffian - Swashbuckler, Human, 2nd level
Jaime the Fearsome - Fighter, Human, 2nd Level

Rona the wisewoman - Cleric, Human, 1st Level, NPC

Gurwinder A’flumine - Fighter, Human, 2nd Level

Jim the Scout - Human, 0 level NPC
Felix and Felice - Humans, 0 level NPC

Marching order is:

Jaime and Jim on horses, leading.
Wagon 1 with Felice driving and Melvin and Gurwinder riding.
Wagon 2 with Felix, Matilda and Rona.
Megen trailing Wagon 2.

More next week.

Campaign Kick Off

I am kicking off a new campaign on The Peninsula of Plenty. Before I detail any of the events of play, I want to cover some general background and house rules.

First, Elves, Half-Orcs, and Dwarves are not allowed as character classes at the start. Humans, Elves, Half-Orcs and Dwarves are at war and the players are starting in the Human Empire's Capital. Half-Orcs are clients of the Elves and both are aligned with the Dwarves against the Human Empire. Halflings are a problem in the human realms, as they are fleeing south, over the mountains. They are at best, politically unreliable.

Below is the racial preference table we are using, which is revised from the last posting of this chart.

Peninsula of Plenty - Racial Preference Table

Race	Dwarves	Elves	Gnomes	Gnolls	Half-Elves	Halfling	Half-Orc	Human	Kobold
Dwarves	Preferred	Neutral	Neutral	Apathy	Apathy	Goodwill	Preferred	Hatred	Hatred
Elves	Neutral	Preferred	Tolerated	Apathy	Apathy	Goodwill	Preferred	Apathy	Apathy
Gnomes	Goodwill	Goodwill	Preferred	Tolerated	Goodwill	Preferred	Preferred	Preferred	Goodwill
Gnolls	Apathy	Apathy	Tolerated	Tolerated	Apathy	Tolerated	Goodwill	Tolerated	Goodwill
Half-Elves	Goodwill	Apathy	Apathy	Goodwill	Preferred	Goodwill	Goodwill	Apathy	Apathy
Halfling	Goodwill	Preferred	Goodwill	Goodwill	Goodwill	Preferred	Tolerated	Hatred	Apathy
Half-Orc	Hatred	Preferred	Goodwill	Apathy	Apathy	Goodwill	Preferred	Neutral	Apathy
Human	Apathy	Hatred	Goodwill	Apathy	Hatred	Neutral	Neutral	Preferred	Apathy
Kobold	Tolerated	Tolerated	Goodwill	Neutral	Goodwill	Preferred	Goodwill	Preferred	Tolerated

As a consequence, virtually all player characters are human, although that was not the intent. I was expecting some half elves, gnomes, and kobolds. We are playing D&D, with an overlay of AD&D. It is possible to be a generic elf which is the straight D&D class, or to pick a class as per AD&D. Only one character did this, the magic user is a halfling.

Next, we are using my rules for the Swashbuckler character class and Uncommon Commoners.

I have two house rules regarding magic: Clerics get spells at 1st level and every Magic User can cast Read Magic once per day in addition to any other spells.

I have a couple house rules regarding combat: Anyone can use a shield to protect themselves, two handed. They can't cast or attack, except for a rough attempt at knocking someone back with the shield. It isn't a good idea if you are a magic user. This rule appears in Uncommon Commoners.

If a magic user or cleric is has a weapon skill due to a professional background, they can replace one weapons with that profession's weapon. For clerics who are also chefs, they can use knives, but generally don't in combat. If a magic user has a skill that allows for a different weapon, say a hammer because they are a mason, they can use that instead of a staff, dagger or dart. These rules also appear in Uncommon Commoners.

Some rule sets state that once a person has been downed, they can be revived by another player. The mechanism for this in my campaigns are either a prayer to Saint Elam or a vial of Elamium. This is a reference to anesthesiologist, James Elam, who performed experimental mouth to mouth resuscitation here in Buffalo, NY at Roswell Park. It's an anachronism owning to my hometown.

There is the expectation that a lot of combat will do subduing damage, but the players can do as they wish. If NPCs are doing this, I will not announce it, but will describe it. This circles back to the Swashbuckler class which engages in this type of combat all the time. Swashbucklers are very far from fighters or thieves. They tend to kill only by a run-through attack after offering a chance to escape. It doesn't work on animals, because they can't be disarmed. 

The first session was pretty eventful and I will detail that in another post.

New Product Launch - Swashbuckler Character Class for D&D and AD&D

I rarely create new character classes for my campaigns, but I felt I needed a different sort of character for seaborne adventures. The Swashbuckler character class was born.

This pamphlet was intended to add flavor to any campaign without creating overpowering skills or mechanics. Very often, new classes are game breaking and I have sought to avoid this.

Initially, the plan was to create one section for Basic D&D and another for AD&D. Since the Swashbuckler does not require extraordinary abilities, nor to they have level dependent skills, I was able to combine the two.

It had occurred to me to give the Swashbuckler some of the skills of thieves, paladins, monks and acrobats but these characters are not the type to engage in professional level skills. They are more charismatic enablers, they don’t develop useful professional skills, they capitalize on other people’s skills.

I would encourage DMs and players to play towards the humorous aspects of Errol Flynn shenanigans. Many times, this style of play revolves around the needed belief in success rather than the actual outcome. Swashbuckling success features going to Plan B, then C and D and so on.

This product contains two files, the character class description suitable for D&D and AD&D, plus a set of 6 pre-generated characters. This product would work well with both my AD&D Character Sheet and the book Zero to Hero: Uncommon Commoners. 

Click here to purchase from DriveThruRPG, for a suggested price of $0.99 or PWYW.

Timely podcast

I love  Aaron Mahnke's Lore podcast. This week, it's about Kobolds. One part history, one part myth, Lore is a wonderful journey to the the darker things. Lore also has wonderful background music by Chad Lawson.

Funny, I just released a little map about kobolds.

Feeling X2 Château d'Amberville

One of my favorite modules was X2. It was so rich in detail and called back to Poe and Clark Ashton Smith that I immediately wanted to plug it into my AD&D campaign. Well, it didn't work out so well. The theme of Castle Amber was too... "weird" for my normal campaign. It was the one time my players demanded a "redo". Their main characters had crossed the mists and as they explored the castle, they became disenchanted with this setting as their characters were way too out of place in it.

I agreed. We rolled up a new set of characters, restarted the scenario and began playing the module as if the prior events never happened. My players were so good at role playing, they willingly ignored the details they gleaned from the last adventure and let the action replay itself again for their new characters.

We were actually playing two different campaigns, alternating between them as the mood struck us. This must have been 1995 or 1996. We were still using the original AD&D books with Unearthed Arcana. When we switched from our main AD&D campaign to the world of Castle Amber, we took it to the extreme.

I allowed the use of Tome of Magic, I would quietly play Love and Rockets Body and Soul alternating with Glen Danzig's Black Aria.


Being older, I'd place a bottle of wine on the table, which few of us knew how to use properly, and old candle sticks or bottles with candles jammed in them for effect. Incense was burned and dinner or light snacks were had as we gamed. 

On top of that, I produced a set of feelies for the players. They were old maps, journals and letters based on the action of the module.

We never completed the module, because the players found the land of Averoigne to be so enchanting. If I could collect up those players again, we would totally go back to Averoigne.

Unreview - The Gardens of Ynn

When I found this title, I fell in love with the concept of a procedurally produced adventure. I meant to write a review of The Gardens, but I never could capture the core idea. What struck me most was the author's (Emmy Allen) desire to break out of her writer's block. Wow. That was an amazing idea and the end result is spectacular.

Anyway, I have collected up 3 reviews of The Gardens of Ynn and added a bit of commentary on each review.

The Gauntlet Blog, called the book "evocative" and praises the use of all five senses in the area descriptions. (Edit - You can also read part 2 here.) The Gauntlet takes the point of view of White Hack players, which is a step removed from typical D&D. This perspective enhances the review as it leaves the typical D&D archetypes out. While I don't play White Hack, Fraser Simons' review of The Gardens makes me wonder if I should.  

Bryce over at Ten Foot Pole, stress the Gothic Horror aspect while digging right into the mechanics of how to use this setting. Bryce is right that this is a setting book as opposed to an adventure, which something that the reader could overlook, something that Emmy Allen took a moment to confirm in Ten Foot Pole's comment section.

d4caltrops calls The Garden "elegant". d4 praises the binary aspect of "go deeper/go back" to control where the adventurers go in The Garden. Even better, he suggests easy ways to use this book as a means of transport for your characters. Talk about taking a great idea and making it better.

I was surprised to see that no one commented on the artwork of this piece, which I totally enjoyed. Its Gothic simplicity is wonderful. I love this style of art.

You can pick up The Gardens at DriveThruRPG for just a couple of bucks. You can also go and add the three blogs above for free. Why not do both?