Setting, Theme, and Narrative

Last week, I was so hopeful. I would get myself back on track by returning to reviews until I was back on a regular posting schedule. Thursday morning, that goal was evaporating as my son got sick and by Friday evening, I had it too. 

It's been 147 days of Sudafed haze and sinus hell since Friday night. It's one of those sucky things you can't shake off. That's a shame because I wanted to post about something I received in the mail: 

Dragonlance is one of my favorite settings, my most hated modules, and THE THING that made me think about game design. It is a great setting. I can't wait to review these books and get into the Setting, Theme, and Narrative. 

My Friends, I Have Wasted a Year - Civilization II Gold Review

Title: Sid Meier's Civilization II Gold 
Publisher: MacSoft
Author: MicroProse
Year: 1999
OS: Mac OS 7.1 up to OS 9.2
Overall Rating: 5 of 5 stars

The misquote in the title is from Emperor Titus in 79 A.D. and is apt for a review of any of the Civilization Games. 

There were so many changes from Civ I to Civ II and the Gold version expanded on those, this version is like a brand new game. This particular version is my favorite despite being "made of glitch". I have delayed reviewing this game due to the incredible breadth of content and play options. 

This is an exploration strategy game, if not THE strategy game of the late 90s and early 2000s. You pick a civilization headed by an avatar representing that culture/civilization. From there you select a map type, either pre-made like the one below or a randomly generated world. Next comes scenario modifiers, where you can race for Alpha Centauri or have a slugfest to dominate our Earth (or approximation of Earth). 

From there, you explore and build cities to support both combat units and non-combat units like explorers and settlers while also competing to complete Wonders. The incredible number of wonders, improvements, and units keeps the fun going for hours if not weeks or months.  

Now, here is where the fun begins. In Civ Gold, you get a wonderful introductory video (if you have the CD-Rom, that is) and a scene cut of your wonder being built. These videos are beautiful and well-timed so as not to disrupt gameplay while also being fine enough for educational purposes. They actually enhance gameplay rather than being annoying. 

The Throne Room option is annoying because it adds nothing. 

In addition to the basic game, the Gold came in the form of a scenario editor, a cheat mode, hot-seat multiplayer options, and three collections of scenarios. Conflicts in Civilization, 8 "Best of the Net" designed by fans, and a final collection called Civ II: Fantastic Worlds based on MicroProse games. 

Additionally, the AI was much improved over the last iteration... Ha-ha, Just kidding!

Seriously, there must have been some improvement made to the AI, considering it would have to deal with random scenarios, new city improvements, new wonders, new units, and a mess of different scenario concepts all of which could be modified by hot-seat multiplayer or scenario parameters. This is asking a lot of any AI, even today. 

So it was taught to cheat, like instantly constructing units or improvements at will while having barbarian hordes wash over the map. Add in some actual gitches and you have comedy in the making. My personal favorite is you can use a wrapping map that the AI doesn't get. It will try not to go off the non-existent edge and send troops the long way around the world.  

The most famous glitch was allowing the AI to have Gandhi. Each AI-controlled civilization has a preassigned level of aggression, 1 to 10.  One is non-aggressive and 10 is omnicidial manic. This would be fine if it weren't for the modifies applied by technology gains. Democracy applies a -2 to aggression right about the same time cultures start getting cruise missiles and atom bombs. Gandhi starts at 1 then goes two less with Democracy. In computer math, he ends up with nukes and an aggression level of 255 on a scale of one to ten. Amusingly, if you disable nukes (through the scenario editor), Gandhi's opts for a Macrosss style cruise missile massacre. 

Either works exactly like this: 

Despite all of this, it is very easy to kill a week or more playing this game non-stop. I give it 5 stars due to the endless replayability provided by the scenario editor and the excellent modding tools provided out of the box. 

Adventures in Dungeonland

It has been a while since I've posted. I have a lot going on but I would like to return to a regular posting schedule. As a head-clearing exercise, I would like to return to reviews, a process I enjoy. From the title, you know the module in question. 

Title: Dungeonland
Rule Set: AD&D 
Levels: 9-12
Year: 1983
Author: Gary Gygax
Publisher: TSR
Pages: 32 pages plus a map
Rating: 5 of 5 Stars

This is a classic module from 1983 by Gary Gygax. I recall two DMs running us through this module. One followed the note in the beginning to avoid Alice in Wonderland references while the other DM simply did exactly what he was told not to and introduced The White Rabbit as an NPC. 

It works both ways. I feel that back in the 80s, most people would have been familiar with either the Disney movie or the books but not both so it didn't instantly set off alarm bells. Back in 1983, you would have seen Alice in Wonderland in the theater or one of the smooshed-up, edited-down Disney TV shows. VHS wasn't even an option, as it didn't come out until '86. 

Gary Gygax mashes up the books by Caroll with the Disney film Alice in Wonderland to great effect. The module is short and by necessity, almost feels like a single-session series of events. Everyone I've played with has been drawn in and wants to see what comes next as quick as possible. I guess I could have called it "engrossing" and saved some words. 

Now, this module isn't for every player but I think it is well worth a run-through. You can play this one a lot of different ways, with a bunch of different party types. One thing of note is that you cannot play this in a single session. Were I run this again, I might do it as a "special event" having several sessions a week.  

The intro is quick and to the point, so a DM has very little to set up. The high-level play, 9-12 levels of experience is sort of a drag for a DM who really wants to play this module. But with a lot of prep, you can dumb it down to any level. 

The module has six sections, one of which is "a blink and you miss it" intro, with all of the others lasting for several pages. The artwork is excellent and holds up over time. But there is strangely a lot of it for a book of this time period. I am going to circle back and blame the creative art team for enjoying this book too much. 

This module has so many creative scenarios, odd monster matches, and atypical magic that it really instills a sense of wonder, a dream-like experience for the players. 

I have personally used this module 3 times, once with the exact same party that experienced it as low-level characters before reaching the 9-12 levels as suggested on the cover. The third time with some folks who experienced Dragonlance burnout.

Here is a spoiler, the module starts with falling into a dream-like world. I mention this because the experience of falling and dreaming happens to people quite often and it can become a vehicle for launching the module with zero preparation as in getting the party to you know, actually fall down a hole.  

The first time I ran this module with low-level characters, I merged it with a Fritz Leiber story called The Howling Tower to make it survivable. 

 

The characters found a shrine with a crystal moon on an altar. I dropped some not-so-subtle hints as to what was happening. The walls of the shrine had a club and spades motif while the crystal moon prominently featured the rabbit in the moon and various areas noted with diamonds and hearts. When the characters removed the crystal moon from the altar, they were sprayed with a contact poison which they all misinterpreted as a gas as I hoped. 

This was done to force the players to all fail their saving throws as planned. Some characters made the first save only to be forced into a second or third save by touching downed characters. It didn't take long for them all to fall into Dungeonland.

The events of the module were their final moments of death stretched out in a bizarre hallucination. Escape from Dungeonland meant survival in the real world. 

Once in Dungeonland, if a character was dropped to 3 hp or less they got another save vs. poison. If they succeeded, they vanished from Dungeonland and reawoke in the real world. They had 3 rounds to consume wine, water, and food which magically healed their delusional wounds. Feeding others in the real world also heal them, too. Perhaps they could cast a spell before sinking back into Dungeonland. 

I had planned what I thought were obvious outs in the real world, such as leaving the room, placing someone on the altar and out of the poison would prevent another save, not touching other players or the crystal moon, and so on. Cleaning things or wearing gloves would have worked too, but no one caught on to this aspect as they really wanted back into Dungeonland. 

This party's second go-around in Dungeonland was brought on by one player mentioning the adventure while holding the Crystal Moon they found. 

For my hard-luck Dragonlance players, I yanked them down the rabbit hole via a nasty cabal attack. Each section of the module was the result of an alter reality spell being cast on them. Rather than being a total screw-fest, the Dragonlance characters had abilities and magic not accounted for in Dungeonland and they prevailed handily. 

Additionally, at the end of each sequence, they physically fought the illusionist who cast the spell for that part of the module before being thrust back into Dungeonland by the next illusionist's reality warping. As a consequence, they gained treasures from the dead illusionist cabal which they could use in the world of Krynn to equally deadly effect. As a nod to my first party's run, they also obtained the Crystal Moon device, which is a crystal ball. That is amazingly useful in Krynn. 

This was a confidence builder for getting back into the Dragonlance story after a minor setback which the party took as total failure. Funny how players think. 

This is one of the most fun adventures I have ever played as a player and as a DM. I may take a stab at it using Old School Essentials. 

Topical Topic

I haven't been posting regularly and tried to lead my Dungeonland review with a massive tangent on current events. I have made this its own post. 

I've mentioned my love of Disney. but I have yet to mention my wife's love of Lewis Caroll. When we first met, I pigeonholed her as a non-reader. I was very wrong, she is merely a non-book collector. I was shocked to find that she had read everything by Lewis Caroll, Poe, and T.S. Elliot plus many, many more. She reads something and disposes of the book. 

Blasphemy! How could you get rid of books you read and liked? We are still working on this issue.

This is one of those odd times where our interests collide on a topical subject and also highlights the need for patrons of this website.

How do a D&D module, Lewis Caroll, and patrons merge with current events?

AI, of course. 

I imagine that most of the people reading this site expect me to produce my own content, with my own opinions no matter how odd or off-beat they may be. It's a matter of getting a different perspective. By way of example, I did a review on dx/db. The author dropped in to say thanks, while some of my readers on social media absolutely hated this title and said so. 

Well, I engaged with both and everyone is happy. This website is a service to people of all kinds and perspectives. And I thank them for those differing views. 

Let me take a moment to thank some major backers of this website: Blackrazor, Pulp 716, and a co-worker. 

Blackrazor provided dozens of games after the house fire. Pulp 716 provided a safe haven for my family after the same. It's a wonderful place to meet up, buy THEN read comics, and relax. And my unnamed coworker provided a fabulous Macbook, which comes in handy for writing posts for These Old Games. 

My coworker hit the nail on the head when he asked, "How is that useful? What can you do with a computer too old to connect to the internet?" 

The answer to that is easy, I use it to disconnect from the internet. He didn't see the value in that until I showed him my workflow and then it all made sense. Basically, I write my text and note what sort of image I want in my post on the iBook. Then I can sneaker-net a USB drive between computers and use Blogger's integration with Photos to get the images from my phone. 

Very rarely do I type directly into the Blogger interface, usually only to change wording or kill a typo not found by Apple Works and whatnot. Today, I tried to use it for speed and ease of use. 

Yeah, wrong. 

The interface has broken down. I am experiencing a corporate AI takeover. I use Chrome and Blogger plus Grammarly. At some point, the various spell-checking options switched to highly aggressive mode. It's crazy, I can't really type anything in the standard interface without getting a mess of suggestions that make no sense.  

I've turned it all off which was about as effective as turning off Skynet was. 

On top of this, I have noticed the integration with Photos has gone off, like 6-day-old Chinese food on a soft taco shell. It could work, but I am taking chances. 

If I didn't have the refuge of my good ol' iBooks, I'd be screwed. 

What's Up?

Man, things never go the way you expect. Stuff changes. 

As you can see, there have been some changes to my website. Minor stuff that I always meant to do. 

On the right, I now have a contact form where you can email me directly. Also on the right is a new link to The Magic Candle Company, a product I very much enjoy. We haven't done candles since the house fire, but they carry oil diffusers. If you want the coupon code instead of the link, it is TOGWEB for 15% off. 

Other changes since the start of this year have been work-related. We picked up a second home, cute rental property in Clifton Springs near Canandaigua to simplify work travel. It's odd having a landlord again. My wife does travel nursing and this facilitates this. Having a vacation home is pretty cool, too. 

Canandaigua and Clifton Springs are beautiful places with a rich history and amazing natural resources. There are many homes dating back to the Revolutionary War. They have a game shop called Dork Forest Comics and is just down the street is a sulfur spring. Believe it or not, Elvis, Elizabeth Taylor, and Paul Newman used to visit the sulfur spas. 

The springs don't smell all that bad. Being a natural property of the springs the smell ebbs and flows from day to day. It is very pleasant due to the canal-like setting and the wildlife that inhabits the waters. 

Back in June, we lost our rabbit Bo (left). He was 6-7 years old and well-loved when we adopted him last year. My daughter insisted on this guy as he had little chance of being adopted due to his age. She was probably right. 

He jumped right in with our other pets and rapidly became a member of the tribe. Even the dog was sweet on him. He had his own feed patch of our garden, with cucumbers, basil, sage, and dill. 

Now that Bo passed, we discovered we can't do without a rabbit in our home. 

Please help us welcome Fiver. 

Like Bo, he is an atypical rabbit. He is a cross between a Continental Giant and a Flemish Giant. He could get quite big, as in fever-dream big. I hesitate to say exactly how big. When I was a child, I had 2 dwarf bunnies that refused to stay small. Rabbits are highly variable animals. 

He is a sweet guy. The picture to the right was taken a few weeks ago when he was 9 weeks old and about 7 lbs. We are waiting to have him neutered in the next few weeks. While we only have one bunny and we don't want ANY chance of having 11 bunnies. 

One of the ironic things about keeping cats and rabbits is both animals have traits that feed off of each other. Dominant cats expect to groom submissive cats while dominant bunnies expect to be groomed by submissive rabbits. Cats will groom rabbits. This is so cute but can have unexpected and disastrous results if not monitored. 

Our smallest cat, Seraphina has decided to take on the role of a dominant, mother cat with Fiver playing the role of the kitten. Where this goes wrong is Seraphine's interactions with the other animals. She shouldn't be big enough to dominate the 65 lbs. dog or even the 10-12 lbs cats, but she tries. The other larger cats attempt to out-dominate her by also grooming the dog which causes growling, hissing, and occasionally fights between the cats that the German Shepard Pit Bull mix tries to stop. Nobody has been injured but we have to keep an eye on it. 

Our dog Tori should have her own stat block here because she is not your average dog, but that is a post for a different day. 

Back to the website stuff. Recently, I lost all of my stats due to a change to Google Analytics. That's annoying. I am relearning my way around Analytics again. As a consequence, my Ko-Fi project has taken a hit, first slowing, then stopping altogether. 

On the DriveThruRPG front, I have implemented changes that will force changes to most of my products. You can still order them on DriveThru but soon they will also appear on my Ko-Fi page. This means people who like my products will have to make a choice, do you order from Ko-Fi or DriveThruRPG. 

So far, all of my products on DriveThru are PWYW. At this time, I have no idea how I will present my products on Ko-Fi. I am going to start with the Hex Pack and my character sheet for AD&D as these products will never change. I do not have a set time frame to do this. 

What choice are you making? If you want 100% of the proceeds of a purchase to go to me, then Ko-Fi will be your ticket. However, if you support DriveThruRPG and its various programs of philanthropy and support for new content producers, then the choice is clear. This is one of the many reasons I am moving glacially slow on this. I really love DriveThruRPG but I want to develop products off of their site, mostly because I see myself offering physical goods DriveThruRPG can't really support, as in not books. I need to be able to offer a one-stop shop which I believe will be Ko-Fi based. 

I didn't mean to write this much, but I think I am calling 2023 my rebuilding year. You are going to see new media in 2024, so I hope you hit those subscribe buttons and follow me in this process. 

Ahsoka TV Show

I have been pumped for Ahsoka and really enjoyed the first three shows. This post leads with a  picture of Han because he is my favorite Star Wars Character. It should be no surprise that of the Rebel Era characters, Hera and Chopper are my favorites. Those two have the same wacky dynamic as Han with every droid he meets. 

Which loops back to Ahsoka. This might be the worst-named TV show ever because so far, it has little to do with her. The story leans heavily on Sabine Wren, the plucky Mandalorian. Well, we already have a Mando, we don't need another. I'd like to see more of Hera and Chopper's antics, but Sabine's story has sucked me in.  

I love the way that the writers handled her story. At various points in Rebels, Sabine worked her way up to Chopper-level war crimes but found several different ways out of that path through her friends. In the opening of Ahaska, we see her relying on herself rather than friends to find her own path. It might not be a good path, but it is at least stable until she gets dragged back into the fight. 

She doesn't wear her armor, she hasn't succumbed to drinking, she isn't a good Jedi, she hasn't become a smuggler or businesswoman. She really is her own person on her own path. 

My wife who is a hardcore action-adventure hater enjoyed the show. The most appealing aspect for her was the fact that you don't need to know anything to watch. You don't need to watch The Mandolorian or all of the Rebels cartoons to care or understand the problem. I was surprised by that because Thrawn and Ezra are the hooks for most viewers. My wife sees them as McGuffins, something that makes the plot go. 

I like that they have cast Sabine as a Jedi padawan. It is interesting primarily because she has virtually no connection to The Force. I personally believe that this is a lie. My working hypothesis is that she has a deep connection to The Force but it has nothing to do with the quest for power, therefore she has no overt abilities. She is a character without an obvious ending because she has rejected them all. Power won't help her find what she desires. 

She could have been a great Imperial but she rejected it. She could have been the ruler of Mandolor, but she rejected that too. Sabine obviously has a way into the New Republic but is equally uninterested. She has no drive for power so having no visible Force powers is not a problem. 

Thank God, because no one needs another Rey. I don't dislike Rey, but they use her like a superhero in Star Wars World. What a waste. 

There have been a bunch of canon stories that touch on people without The Force taking sides and doing amazing things. Those amazing things usually have zilch to do with wielding a lightsabre, the Uber weapon of Star Wars. In fact, picking up a lightsabre is probably the last thing someone without The Force should do. But it happens, too. 

I can't wait to see what happens next. 

Throwback Thursday - The Anniversary Edition

Today, Jen and I celebrated our 22nd wedding anniversary. As we had an excellent dinner and drinks, I noticed the Riviera Theater across the street was advertising bands that were big when we started dating. One of them really jumped out at me: 

Part of the evening was talking about vacation plans for next year. We are going back to Saratoga Springs, NY to see Dave Matthews Band. Due to COVID, a yearly tradition went in the garbage and now we are playing catchup. Jen would like to see DMB twice next year, back-to-back dates in Saratoga. 

We've seen them a lot and I accidentally derailed the conversation.

Jennifer said, "Man, we have seen DMB so many times. I bet you haven't seen the same band twice in two days." 

"Queensryche, 3 times in 3 days. I've seen them so many times," I said. 

She was flummoxed. "We've seen Dave Matthews 18 times. How many times have you seen Queensryche?" 

I started counting. As I got into it, it was easier to count cities by country than concerts. 

Buffalo, NY. 84, 89, 91 
Darien Center, NY. 95, 97
Weedsport, NY. 95 
Rochester, NY. 84, 89, 91
Blossom, Toledo, and Columbus, OH. in 1997, one time each. 

In addition to these dates, I saw them in Syracuse twice but don't remember what year. 

I could swear I saw them more in Canada than in the US, but I was wrong: 

Toronto, ON. 86, 89, 91, 95
Hamilton, ON. '88, 89
Ottawa, ON. 89*

* There was a second disastrous show in Ottawa where I ate the pizza at Mcdonald's. I puked my brains out at the show. So embarrassing because I didn't even have a chance to figure out the drinking age. It was a straight-up bad food choice. (It would have been 18 but for some reason, I forgot Ottawa was in Ontario.) 

You'll notice a funny thing about that list. I met my wife at the end of 1996 and we started dating in 1997. She missed the Queensryche years. When we met, she had only been to one concert. I decided to change that and one of our first concerts was DMB. 

So, if we go to DMB in July of next year, I will have seen Dave Matthews a little less than I have seen Queensryche. Thanks to my wife, by virtue of our metalhead daughter, I will get to add one more Queensryche tally to the list and keep that band on top for another couple of years. 

The more things change, the more they stay the same. 

Production Progress

Well, I have some artwork to share. Just a bit and not all of it for POP-001. Since I do not have much time to draw, I have to dedicate some time to practice. As spring goes to summer, I have even less time. To that end, I am pushing my release date to the middle of August. Can't be helped so I updated the countdown. 

Anyway, the main feature of this project is a cenote. In order to make the art work for me, I broke it down into layers on paper so I could scan different parts as different layers. I can preserve my ability to change things up without resorting to "Fix it in post" crap.  

The first image is the extent of the waters. As you can see there is a small island with a cave in the image. I haven't decided if I will do color or not, but I might. The two odd features in the center are holes in the roof which provide access to the cen. There is no other way into this area.  

In order to get down to the water and rock shelf around it, characters will have to navigate a series of wooden platforms. There are two paths down, which are loosely based on both the movie Goonies and several amusement park attractions. 

This area would have been a daily trip for most people from the temple surroundings. Life-saving water plus a cool and relaxing place to hang out would have drawn every villager. The platforms are connected by ramps, but on one side there is a slide, and on the other is a floating platform for resting.

You can click each image to enbiggen them. 

One image will be overlayed on the other but there may be special cases where I want to separate them. A bonus map might be one cause. I was thinking of using the same art as a tiny dungeon. I will have to redress the walls, but it's doable. 

I've been practicing with several other images to get used to inking with new pens. 

Many of these spaceships are copies of stuff from the Dynomo Joe comic series, while the last two are of a spaceship I designed for my Star Smuggler campaign.

This ship is called The Waterbuck and is nearly twice as larger as The Antelope class ship. When designing it, I thought about what a next-generation ship would have and would not have. This ship has the ability to mount 3 turrets. The one turret in the nose of the ship can be fired by the pilot as he or she flies. The other two need crew. The Waterbuck also has an advanced medical bay.  

What it does not have is a stasis unit or any concealed compartments. 

It also comes with a larger shuttle that can be carried externally or in one of the cargo bays. This shuttle has its own fusion drive and life support, so it can carry much more than the old shuttles. Older shuttles can still be used but they must be carried inside a cargo bay. 

As time permits, I will write up the details of both these ships. 

POP-001 - The Pantheon of Gods

I'm starting to piece together the Pantheon of Gods for the Lost Temple. It ain't much of a temple without a god or gods to worship. In this case, these gods became lost when the temple was abandoned so the PC's will not have any knowledge of them. 

The first god is going to represent liminal spaces. While he is not the most important God in the Pantheon, he is the vehicle behind the PC's ability to explore this magical place. Rather uncreatively, I've been thinking of naming him Lumo. I'll probably come up with something better. Lumo is a placeholder for now.

The term "liminal space" is new to me. This post is talking me through the idea. 

"Liminal spaces" refer to transitional or in-between spaces that are not easily defined or categorized. These are places where boundaries between different realms, states, or stages of being become blurred or permeable, creating a sense of ambiguity or uncertainty. Examples of liminal spaces include doorways, thresholds, bridges, crossroads, and shorelines, as well as certain times of day (such as dawn and dusk) or stages of life (such as adolescence).

This abandoned temple is somewhat like El Castillo, Chichen Itza. At least, that's what I've modeled the cover image after. I have come to discover that pyramids are really very boring as dungeons. They don't have many, if any rooms. El Castillo challenges my understanding of the pyramid dungeon as it was built on top of other structures. It does have interior spaces that have nothing to do with being a pyramid or temple. These would be an example of a liminal space, crossing from one time period to another or one function to another. 

Now this will require a modification of my original idea, adding long tunnels around the perimeter of the pyramid. These would serve as an entry point to the older temples, a sort of dungeon space, and a way into the vertical shafts. 

And Lumo has always been a part of this culture from the beginning. He is a prime mover here. Where these spaces exist, he is able to exist. 

In The Revenants of the Lost Temple, he will play a special, unique role in a modified wandering monster mechanic. The fun part of this is the player characters will have the ability to control the wandering monster rolls. It is simple and intuitive, while also creating an atmosphere of dread. 

I can't wait to get this thing released. I can't wait to create several other gods to join the heroes in their quest. 

Star Frontiers: Knight Hawks Boardgame and Campaign Expansion Review

I have some more content queued up for POP-001, but I have to get some bugs out of my system. I did a review of Star Frontiers with the intention of returning to review the expansion set Knight Hawks. It's been 2.5 years, so I should do it now. 

Title: Star Frontiers: Knight Hawks Boardgame, The Campaign Expansion, and Warriors of Light Module
Designer: Douglas Niles
Year: 1983
Pages: Boardgame book, 20 pages. Expanded book, 64 pages. SF0, 32 pages.
Number of players: 2+
Rating: ★★★

Star Frontiers is a classic science fiction role-playing game that was first introduced in 1982. One of the most exciting aspects of the game is the Knight Hawks expansion, which focuses on ship-to-ship battles. This expansion provides players with an opportunity to engage in space combat, which is a crucial element of the science fiction genre. This set was a boxed set like Alpha Dawn and even follows the exact same book and page count as the original. 

The key features of the Knight Hawks expansion are the ship-to-ship combat and ship design system. Players have the ability to design their own spacecraft from scratch, giving them the freedom to create vessels that suit their playstyle. The ship design system is complex but rewarding, allowing players to customize every aspect of their ship, from its weapons and defenses to speed and maneuverability. Plus every part of the customized starship simply works with the ship-to-ship combat system right out of the box. 

Players don't need to create ships to engage in ship-to-ship combat, the module will gift them with not just their own ship, but a whole fleet of ready-go ships. The combat system is turn-based and consists of three phases: movement, combat, and damage control. The phases are crucial for setting up attacks and avoiding incoming fire so as not to resort to damage control.

The combat phase is where the action really heats up. Players can choose from a variety of weapons, such as lasers, missiles, and torpedoes, to attack their opponents. Each weapon has its own unique characteristics, such as range, damage, and accuracy. 

The game uses what I call a Chocolate, Vanilla, and Strawberry system of weapons and defenses. There are missiles, lasers, proton beams, and electron beams. I seem to recall neutron beams, but I think stole that from Starfire, another excellent game from the time period. Specific attacks are modified or negated by specific defenses which creates a wild dynamic where ships might have the WRONG type of firepower. As confusing as the terms are, there are only three or four so you can roll with it pretty easily. 

There is a damage control phase, where players can repair any damage their ship has sustained during combat. This phase is vital, as a damaged ship is less effective in combat and can be destroyed more easily. Players can repair damage to their ship's hull, engines, weapons, and defenses, but doing so requires time and rolls against the DRC rating of the ship. It is far less complex than StarFleet Battles and can be adapted to be more Traveller-like by ignoring the DRC for some aspects and allowing characters to use their new starship skills to get stuff done. I wouldn't suggest making every repair a character skill roll, but the nugget of the idea is there. 

I play StarFleet Battles, so I can't call this set complex or deep, but it has Basic and Advanced rules can get new players going with minimal fuss. Was I to stop the review here, the boardgame rules are stand-alone and would get 5 of five stars. 

You'll notice that I gave this set 3 stars. That is because the integration with Alpha Dawn sucks. In Alpha Dawn, we left the characters with 3 PSAs with a max of 6 ranks. Knight Hawks throws in 4 more Star Ship Skills which are not PSA, but dependent on PSA. And require them to be nearly maxed out. 

What?  

On day one of purchasing the box set, you are months away from having your old characters gain the necessary skills to use this set. That's garbage. What does firing a gyrojet weapon at a tank have to do with lobbing a giga-ton nuke at a ship in orbit? Driving a car is related to jumping a spaceship? No. That shouldn't be a thing. 

I could explain the way I handle this hitch, but instead, I will ding this set 3 stars and allow you to engage with your players as you see fit. I WILL give this set one additional star for adding more vehicles and space combat into the mix while resolving the chronic "First World Star Frontiers Problem". 

What I call the First World Star Frontiers Problem is a lack of creativity in the creation of modules. It is really a problem of having too many options or possibilities available in the rules and settings hampering an author's ability to create an engaging scenario. Virtually all of the modules lay out a scenario, then strip the players of some or all of their weapons and kit. That is a systemic railroad if I ever saw one. 

Don't do that to your players, do anything else. 

Knight Hawks actually fixes this problem as even lifeboats have guns and ammo, tools are weapons and the ship is a flying storehouse. Giving the characters a massive starship basically means if they lose their gear, they go back to the ship and gun the f--- up, and come back with a vengeance. This is a better playing experience than losing it all and coming back from nothing. Half of the game is shopping for kit or designing spaceships. Why bother striping gear for every pre-packaged adventure? 

In conclusion, Star Frontiers Knight Hawks is an adequate expansion that adds a new dimension to the already good Star Frontiers RPG. The ship-to-ship battles are engaging and challenging, requiring players to think strategically and use their resources wisely. While the system may be overwhelming at first, the rewards are well worth the effort. If you're a fan of science fiction and role-playing games both halves of this system are for you. 

You can pick up a copy on DriveThruRPG either in PDF or Print. Either is very nice and the two boxed sets are combined together, so it's just one purchase. Personally, I would buy the combo PDF and Print set so you can print off as many of the map pieces and counters as you like. Star Frontiers has really nice counters and starship deckplans. 

Artwork Update - POP-001

Over on Ko-Fi, I am working on POP-001. This takes place in a lost temple. The artwork for that appeared here several years ago. I didn't mean the maps to be a module, but when I discovered that it survived the fire, I decided to go for it. 

These images are very spare and were not meant to be a dungeon. Through the magic of digital media, I can actually adapt them to what I need them to be. Once complete, you will be able to see the original artwork at the same time as seeing how it was adapted for this title. 

Right now I am working on the main battle map, the cenote chamber. For this map, I need to deviate from the simple one-marker, black-and-white design without moving too far from it. This is for clarity.   

You'll have to check out my Ko-Fi posts for the complete ideation of what is to come from this module. What I'd like to write about is my process. 

A lot of times, people will get cagey about tracing stuff. Well, don't be. 

If you look at the 4 images above, they are digital combinations of 3 images that were traced. Granted, they were traced from my own original work, but this is an old-school version "fix it in post". If you zoom in, you'll notice that the gradient lines of the shoreline are exactly the same because it's a scan. With a lightboard and tracing, it would almost impossible to match the lines over and over again. 

At least for me, because I have a tendency to right to ink, no pencil at all. Usually, to create such things I do pencil on graph paper, then trace right to ink. The image is already set on the underlayer, so why not? 

Interestingly, this type of image can be turned sideways for elevation or twisted by some math to give a 3/4 view or whatever I decide, all on paper before the digital process starts. 

My goal is to generate different layers on paper then scan, then combine so I can have multiple images in a variety of styles. This mixed-style allows me to edit stuff digitally to output documents in 8.5x11", A4, or A5 and 5.5x8.5 booklets.  

As I get closer to completion, you'll see more art from me. However, at the end of the day, you'll want to follow me on Ko-Fi to see more of the behind-the-scenes stuff that didn't make the final cut. 

The Temple of Light - Maps

Update: May 3, 2023. These maps will go into a new product called POP-001, Revenants of the Lost Temple. 

This temple complex is the work of an ancient people. The first map is of a traditional family abode. In the past, the tribe dug horizontal homes, as a means of collecting flint. 

As the people transitioned to a bronze age culture, they began the construction of the Temple of Light. The structure is a gleaming white, the effect was achieved with a decorative coating of quartz and flint. 

The Temple was a beacon of solidarity for the people, but it also proved to be a beacon for raiders. The pirates devastated the village proper, taking valuables and prisoners. The raiders returned seasonally to plunder the people. For a time, the villagers disbursed to escape the onslaught.

One day, several young children entered the Temple and discovered a pair of holes in the central hall leading to a deep natural cavern. When the chief was informed, he ordered a return to the old ways of digging pit homes under the Temple.

In a few months, the tribe had relocated under the Temple. By concealing the upper openings with floor tiles, the villagers were able to exact revenge when the raiders breached the Temple. The surviving pirates completed the turnabout with tales of a diamond-encrusted temple protected by spirits of the earth.

Epilogue:

The children discovered the leader of instability in the rock. Future generations will tell the story of a fortress of diamonds beneath the crystal blue waters of a cenote. The stone age villagers speak in hushed tones about the mighty Sea Mage sinking the fortress in anger for the king's refused tribute payments. Adventurers may find tablets of stone that tell of the powerful shaman who levitated the entirety of the Temple to allow her people time to escape the collapse into the waters below.

This series of maps are based on a mix of real-world places and cultures, Grime's Graves, Ancestral Puebloans and people of Teotihuacan in particular.

POP-001 - The Pantheon of Gods

Welcome back. Tick-tick-tick! The counter is down to 90 days. What do I got? 

A lot more and less than what I need. First, let me do a shout-out to Evlyn Moreau over on Dice.Camp. You can also find her on:

patreon.com/evlynmoreau
https://ko-fi.com/M4M85ZSV
https://evlyn.itch.io

She sent me a collection of jungle-theme images, which will go in POP-001. So I'd better get this thing done. 

One item that stands out in this work is that I must devise a pantheon of gods. Typically, I don't do whole pantheons of gods in my campaigns. I let the players tell me about what gods they know. 

It's easier that way. The alternative is: "Hey... can you fit your character in this tiny box you can see? Perfect!" 

When roughing out a campaign, I will typically have the barest minimum of divine beings. I'll have one God of Light, one of Dark, one in between, and one alternative choice that doesn't fit within these three groups. The last category is for the first NPC cleric or druid the characters encounter and it is a hint that the players can be creative in what they believe. 

When I have a city where a large number of different people reside, there is a Temple Row. I keep the gods non-descript unless someone asks me about them. Invariably, the players will come up with a god that won't fit any of my description and I will have to wing it.  

I personally love this trick. 

As the players search the Temple Row, they will not find a temple to their god but they will have a feeling that they are in the presence of something powerful and familiar. If they continue searching, they will find a place that feels right. An NPC will mention this is "the place of the lost ones" and if the character makes an offering or prayer in this space, they will find a path to their God's temple. For a while, they will be able to interact on a personal level with this space, describing it to me. When they have given me a good idea of what it is like, I let them leave. As they exit, that temple, their temple bends and warps reality until it becomes real. Even if the row, the road, the city, or even the world itself has to get bigger to accommodate it. 

Players often find this experience wonderful. 

An AI rendering of a Moon Goddess

This is a consequence of my trying not to impose my will on the players, nor waste time creating stuff that will never be used. It's cool if the players hop right into my world, but I can't expect this outcome and need to invoke a bit of magic. 

Revenants of the Lost Temple must be different than what I am used to doing. I lead with "its a temple". It must follow that I must have gods here. These creatures will be cameo actors to be sure as the module is created for first to third-level characters. I need them to be unique avatars for a whole culture that vanished. 

I have selected a couple of ideas for them to embody. A goddess of the sea, a god of the land, a goddess of the Moon, and a god of the Earth. That sounds like a good AI photo prompt. 

It's pretty... pretty much not what I wanted. As I flesh these beings out, I will post updates over on my Ko-Fi page. Why don't you follow me there? 

One More Add to Favorite Blogs

I just realized I follow Evlyn Moreau over on Dice.Camp. 

I might as well add her to the favorite blogs roll. 

 

Too Many Irons in the Fire

I'm working on a few too many projects. I need to get myself on a posting schedule. The countdown tells me I have 92 more days to finish my first module, POP-001. 

To that end, I am working on artwork. Or at least, sharpening my skills. 

This is a copy of Frank Frazetta's style, which I hope will assist in creating pictures for POP-001. 

Project 2 is a little more down to earth. I'm getting the raised beds ready in the backyard. I'll have two 8x4 foot areas this year to prevent the overcrowding I experienced last year.

In addition to the tomatoes, cucumbers, strawberries, and peppers I grew last year, I'll be trying out lettuce, beans, radishes, and herbs. I plan to keep the strawberries, beans, and herbs out of the raised beds with a new area plus large planters. 

Ideally, at the end of the year, I'd like to bring the herbs inside. I didn't plan for that last year and managed to kill off everything by mid-December. There was some saving grace as a had a ton of dried herbs from the summer. 

Next up is a slow-moving project, one that may turn into a regular series here. I'm making a castle. I really love the classic look of Bodiam Castle and I recall drawing a rough floorplan for fun and as a blog post. 

Funny, I apparently forgot to blog about it and you are seeing the rough plan for the first time today. 

Anyway, I am upcycling some junk I have lying around to make this happen, I will probably detail my progress as I go. 

I don't plan on being too faithful to Bodiam or even rudimentary scale. I am letting the supplies on hand control the look. For a base, I used a bit of wood used for packing material. The towers stand 6 inches tall and will be spaced out 2.5 to 12 inches. The idea is to have something that would help out as a game space. 

As you can see from the image above, I have a bunch of different figures arrayed in front. I have a 1:144 scale T.I.E. Fighter, 1/296 Battlemechs, a 25 mm Space Marine from Aliens, a Lego figure, a couple of 25 mm fantasy figures, random plastic animals, and 20 and 15 mm figures. The block in front is 1.25 inches on a side. Roughly, anyway.  

It all seems pretty reasonable. 

A Broken Hearts System

I'm brainstorming ideas for a new game system. Initially, I called it the Hearts System, but that may change. I kind of like A Broken Hearts System or ABHS. 

I am starting to formulate ideas for mechanics. 

The first mechanic I created is generating characters using a standard (or custom) set of cards. I shared this in a post a while ago but I will recap it here. 

Aces are your abilities and they are laid out Spades, Diamonds, Clubs, and Hearts. I have retitled them Swords, Shields, Coins, and Hearts which correspond to: 

(Swords) Fighting ability, 

(Shields) Defensive abilities,

(Coins) Resources, 
(Hearts) Life points.  

Below them are the Kings, the Queens, and the Jacks. These cards map to three classes. Kings are Squares; Squares use brawn more than any other skill. Queens are Pures; Pures prefer to use their mental facilities over everything else. And Jacks are Semis, people who mix physical and mental facilities with ease. 

In the following examples, we are using just Kings to build a Square character. I will write about Pures and Semis in a different post. 

A starting player assigns one or more Kings to their four abilities. Once complete, the player looks down at each pile and totals them up, adding Kings and Aces together. 

Swords: 3

Shields: 2

Coins: 1
Hearts: 2

All starting characters have distributed 8 cards (or points) among 4 stats. 

Now, here is the first twist. Put the Shields over your Hearts, like so: 

It is always Shields on Hearts and the stats are adjusted like this: 

Swords: 3

Shields: 2

Coins: 1
Hearts: 2 (4)

Now this character is fit to fight. We need to talk about dice. This system assumes you'll use six siders and two. I took a poll and this was what the hivemind thought was best. Of course, the hivemind can make its own games, so I will modify this two-die standard later on. 

This is a roll-low game. The lower the better. Nothing special happens if you roll snake eyes. By the same standard, nothing special happens if you roll 2 sixes. 

One of the quirks of this game is we only have two cases where we modify the die rolls directly. We'll handle that later.   

If your Sword is 3, then you need to roll a 2 or a 3 to hit. Damn, that would be a tedious game. At this point, we need some modifiers on your character's skills. Remember, this is not modifying the die roll. We need the player to be aware of what they need to hit before rolling. 

You get +1 for having a weapon, say a spear, and another point for each skill in skill you have. Since you have 3 Swords, you can learn up to three combat skills. In this case, let's make them 3 points or ranks with a spear. Now we have a total of 3+1+3=7. 

See how we didn't add to the dice, but modified the ability to hit? The rationale behind this is all characters should know, roughly, their ability to strike something before they make that attack roll. Remember, I do have an exception to this no-modifier rule which will come into play later. 

You must roll equal to or under a 7. Now that is more like it, there is a good chance of rolling that. Here is my modification on using two six-sided dice. We're gonna use more. In the first step or interval of combat, you roll 2d6 and compare it to your to-hit number which is 7. 

We roll a four and hit. This removes one Shield or Heart from the opponent. There are only hits, we won't use damage dice. A very powerful creature might have 18 Shields and Hearts combined, but against a group of characters making a couple of attack rolls per combat turn, these defenses will go fast. 

The next mechanic is the duration of the combat turn. We're calling each cycle of combat a turn and each one is 12 seconds long, divided into 2-second intervals or steps. Every character may take one action per step. BUT they can only attack once per unit Sword and only once per interval or step of the combat turn.  

Our Square with a Spear can take three swipes with their weapon per combat turn because they only have 3 Swords. They are not skilled enough to do more. This is an inversion of D&D style rules as it assumes characters are pretty quick. 

What does he do with the rest of his time? He can move, open doors, duck, dodge, or whatever.  Basically anything other than sticking a spear in someone. He can move three times and attack three times. There will be cases where this particular character will move four times and attack twice, losing one attack because they ran out of time. Higher-level characters are entitled to swing every combat step or interval, but probably won't for... reasons. 

Now we get the exception on modifying die rolls. Remember when you put your Shields on Hearts? If you get hit, you lose a Shield point. When they are gone, you start losing Hearts. When your Hearts are gone, you are down. Not dead, but down and unable or unwilling to stand back up. 

Here is the modifier on die rolls. A character can choose to defend themselves instead of attacking. They can do this once per Heart, per opponent, per combat step, or interval.  This adds to the attacker's die roll. The cost of doing this is, if you get hit, you lose the Heart you risked instead of the Shield.

Ouch! You can go down by making risky moves. By the same standard, if you successfully defend yourself, you lose nothing but that one attack. This also slows combat, kind of like casting from hit points in reverse. 

If you are a numbers person, you'll realize that a minute of combat is 5 12-second combat intervals. Using our Square with the Spear, this could be 15 attack rolls in just 60 seconds. This would be really violent and quick, which is why I wanted to slow things with defense. 

To slow this down more, I'll modify the number of dice thrown per combat interval or step. The first time you attack in a turn, you need to get a 7 or less on two dice. Assuming nothing changes, the second attack requires rolling 7 or less on 3 dice.

That spear is getting heavy and you are getting tired.

Guess what? The third attack requires throwing 7 or lower on four dice. This continues for each attack, a high-level character could be throwing 7 dice to hit on that sixth swing.  

Also, it makes risking a Heart on Defense more worthwhile later in the combat turn.

This is a neat mechanic as new players will swipe at opponents very quickly while learning the combat system until they realize that maybe they should hold back a bit once they master it. The mechanic itself is simple, just add a die but your chances of hitting are plummeting. It also encourages players to work together, say having three guys up front taking turns at attacking an opponent, rather than everyone hacking away wildly. 

At the end of the 12-second combat turn, there is a reset moment. Shields are restored at the start of every combat turn, but Hearts are not. If you started with two Shields and lost them to two blows from an opponent, you get them back for the next turn. This restoration isn't repairing a bit of armor or picking up a shield, but making an adjustment to the item itself or modifying their use against a specific opponent. 

I hope you found this interesting. Next time I will get into missile combat and magic. Let me know what you think in the comments.