Production Progress

Well, I have some artwork to share. Just a bit and not all of it for POP-001. Since I do not have much time to draw, I have to dedicate some time to practice. As spring goes to summer, I have even less time. To that end, I am pushing my release date to the middle of August. Can't be helped so I updated the countdown. 

Anyway, the main feature of this project is a cenote. In order to make the art work for me, I broke it down into layers on paper so I could scan different parts as different layers. I can preserve my ability to change things up without resorting to "Fix it in post" crap.  

The first image is the extent of the waters. As you can see there is a small island with a cave in the image. I haven't decided if I will do color or not, but I might. The two odd features in the center are holes in the roof which provide access to the cen. There is no other way into this area.  

In order to get down to the water and rock shelf around it, characters will have to navigate a series of wooden platforms. There are two paths down, which are loosely based on both the movie Goonies and several amusement park attractions. 

This area would have been a daily trip for most people from the temple surroundings. Life-saving water plus a cool and relaxing place to hang out would have drawn every villager. The platforms are connected by ramps, but on one side there is a slide, and on the other is a floating platform for resting.

You can click each image to enbiggen them. 

One image will be overlayed on the other but there may be special cases where I want to separate them. A bonus map might be one cause. I was thinking of using the same art as a tiny dungeon. I will have to redress the walls, but it's doable. 

I've been practicing with several other images to get used to inking with new pens. 

Many of these spaceships are copies of stuff from the Dynomo Joe comic series, while the last two are of a spaceship I designed for my Star Smuggler campaign.

This ship is called The Waterbuck and is nearly twice as larger as The Antelope class ship. When designing it, I thought about what a next-generation ship would have and would not have. This ship has the ability to mount 3 turrets. The one turret in the nose of the ship can be fired by the pilot as he or she flies. The other two need crew. The Waterbuck also has an advanced medical bay.  

What it does not have is a stasis unit or any concealed compartments. 

It also comes with a larger shuttle that can be carried externally or in one of the cargo bays. This shuttle has its own fusion drive and life support, so it can carry much more than the old shuttles. Older shuttles can still be used but they must be carried inside a cargo bay. 

As time permits, I will write up the details of both these ships. 

POP-001 - The Pantheon of Gods

I'm starting to piece together the Pantheon of Gods for the Lost Temple. It ain't much of a temple without a god or gods to worship. In this case, these gods became lost when the temple was abandoned so the PC's will not have any knowledge of them. 

The first god is going to represent liminal spaces. While he is not the most important God in the Pantheon, he is the vehicle behind the PC's ability to explore this magical place. Rather uncreatively, I've been thinking of naming him Lumo. I'll probably come up with something better. Lumo is a placeholder for now.

The term "liminal space" is new to me. This post is talking me through the idea. 

"Liminal spaces" refer to transitional or in-between spaces that are not easily defined or categorized. These are places where boundaries between different realms, states, or stages of being become blurred or permeable, creating a sense of ambiguity or uncertainty. Examples of liminal spaces include doorways, thresholds, bridges, crossroads, and shorelines, as well as certain times of day (such as dawn and dusk) or stages of life (such as adolescence).

This abandoned temple is somewhat like El Castillo, Chichen Itza. At least, that's what I've modeled the cover image after. I have come to discover that pyramids are really very boring as dungeons. They don't have many, if any rooms. El Castillo challenges my understanding of the pyramid dungeon as it was built on top of other structures. It does have interior spaces that have nothing to do with being a pyramid or temple. These would be an example of a liminal space, crossing from one time period to another or one function to another. 

Now this will require a modification of my original idea, adding long tunnels around the perimeter of the pyramid. These would serve as an entry point to the older temples, a sort of dungeon space, and a way into the vertical shafts. 

And Lumo has always been a part of this culture from the beginning. He is a prime mover here. Where these spaces exist, he is able to exist. 

In The Revenants of the Lost Temple, he will play a special, unique role in a modified wandering monster mechanic. The fun part of this is the player characters will have the ability to control the wandering monster rolls. It is simple and intuitive, while also creating an atmosphere of dread. 

I can't wait to get this thing released. I can't wait to create several other gods to join the heroes in their quest. 

Artwork Update - POP-001

Over on Ko-Fi, I am working on POP-001. This takes place in a lost temple. The artwork for that appeared here several years ago. I didn't mean the maps to be a module, but when I discovered that it survived the fire, I decided to go for it. 

These images are very spare and were not meant to be a dungeon. Through the magic of digital media, I can actually adapt them to what I need them to be. Once complete, you will be able to see the original artwork at the same time as seeing how it was adapted for this title. 

Right now I am working on the main battle map, the cenote chamber. For this map, I need to deviate from the simple one-marker, black-and-white design without moving too far from it. This is for clarity.   

You'll have to check out my Ko-Fi posts for the complete ideation of what is to come from this module. What I'd like to write about is my process. 

A lot of times, people will get cagey about tracing stuff. Well, don't be. 

If you look at the 4 images above, they are digital combinations of 3 images that were traced. Granted, they were traced from my own original work, but this is an old-school version "fix it in post". If you zoom in, you'll notice that the gradient lines of the shoreline are exactly the same because it's a scan. With a lightboard and tracing, it would almost impossible to match the lines over and over again. 

At least for me, because I have a tendency to right to ink, no pencil at all. Usually, to create such things I do pencil on graph paper, then trace right to ink. The image is already set on the underlayer, so why not? 

Interestingly, this type of image can be turned sideways for elevation or twisted by some math to give a 3/4 view or whatever I decide, all on paper before the digital process starts. 

My goal is to generate different layers on paper then scan, then combine so I can have multiple images in a variety of styles. This mixed-style allows me to edit stuff digitally to output documents in 8.5x11", A4, or A5 and 5.5x8.5 booklets.  

As I get closer to completion, you'll see more art from me. However, at the end of the day, you'll want to follow me on Ko-Fi to see more of the behind-the-scenes stuff that didn't make the final cut. 

POP-001 - The Pantheon of Gods

Welcome back. Tick-tick-tick! The counter is down to 90 days. What do I got? 

A lot more and less than what I need. First, let me do a shout-out to Evlyn Moreau over on Dice.Camp. You can also find her on:

patreon.com/evlynmoreau
https://ko-fi.com/M4M85ZSV
https://evlyn.itch.io

She sent me a collection of jungle-theme images, which will go in POP-001. So I'd better get this thing done. 

One item that stands out in this work is that I must devise a pantheon of gods. Typically, I don't do whole pantheons of gods in my campaigns. I let the players tell me about what gods they know. 

It's easier that way. The alternative is: "Hey... can you fit your character in this tiny box you can see? Perfect!" 

When roughing out a campaign, I will typically have the barest minimum of divine beings. I'll have one God of Light, one of Dark, one in between, and one alternative choice that doesn't fit within these three groups. The last category is for the first NPC cleric or druid the characters encounter and it is a hint that the players can be creative in what they believe. 

When I have a city where a large number of different people reside, there is a Temple Row. I keep the gods non-descript unless someone asks me about them. Invariably, the players will come up with a god that won't fit any of my description and I will have to wing it.  

I personally love this trick. 

As the players search the Temple Row, they will not find a temple to their god but they will have a feeling that they are in the presence of something powerful and familiar. If they continue searching, they will find a place that feels right. An NPC will mention this is "the place of the lost ones" and if the character makes an offering or prayer in this space, they will find a path to their God's temple. For a while, they will be able to interact on a personal level with this space, describing it to me. When they have given me a good idea of what it is like, I let them leave. As they exit, that temple, their temple bends and warps reality until it becomes real. Even if the row, the road, the city, or even the world itself has to get bigger to accommodate it. 

Players often find this experience wonderful. 

An AI rendering of a Moon Goddess

This is a consequence of my trying not to impose my will on the players, nor waste time creating stuff that will never be used. It's cool if the players hop right into my world, but I can't expect this outcome and need to invoke a bit of magic. 

Revenants of the Lost Temple must be different than what I am used to doing. I lead with "its a temple". It must follow that I must have gods here. These creatures will be cameo actors to be sure as the module is created for first to third-level characters. I need them to be unique avatars for a whole culture that vanished. 

I have selected a couple of ideas for them to embody. A goddess of the sea, a god of the land, a goddess of the Moon, and a god of the Earth. That sounds like a good AI photo prompt. 

It's pretty... pretty much not what I wanted. As I flesh these beings out, I will post updates over on my Ko-Fi page. Why don't you follow me there? 

Too Many Irons in the Fire

I'm working on a few too many projects. I need to get myself on a posting schedule. The countdown tells me I have 92 more days to finish my first module, POP-001. 

To that end, I am working on artwork. Or at least, sharpening my skills. 

This is a copy of Frank Frazetta's style, which I hope will assist in creating pictures for POP-001. 

Project 2 is a little more down to earth. I'm getting the raised beds ready in the backyard. I'll have two 8x4 foot areas this year to prevent the overcrowding I experienced last year.

In addition to the tomatoes, cucumbers, strawberries, and peppers I grew last year, I'll be trying out lettuce, beans, radishes, and herbs. I plan to keep the strawberries, beans, and herbs out of the raised beds with a new area plus large planters. 

Ideally, at the end of the year, I'd like to bring the herbs inside. I didn't plan for that last year and managed to kill off everything by mid-December. There was some saving grace as a had a ton of dried herbs from the summer. 

Next up is a slow-moving project, one that may turn into a regular series here. I'm making a castle. I really love the classic look of Bodiam Castle and I recall drawing a rough floorplan for fun and as a blog post. 

Funny, I apparently forgot to blog about it and you are seeing the rough plan for the first time today. 

Anyway, I am upcycling some junk I have lying around to make this happen, I will probably detail my progress as I go. 

I don't plan on being too faithful to Bodiam or even rudimentary scale. I am letting the supplies on hand control the look. For a base, I used a bit of wood used for packing material. The towers stand 6 inches tall and will be spaced out 2.5 to 12 inches. The idea is to have something that would help out as a game space. 

As you can see from the image above, I have a bunch of different figures arrayed in front. I have a 1:144 scale T.I.E. Fighter, 1/296 Battlemechs, a 25 mm Space Marine from Aliens, a Lego figure, a couple of 25 mm fantasy figures, random plastic animals, and 20 and 15 mm figures. The block in front is 1.25 inches on a side. Roughly, anyway.  

It all seems pretty reasonable. 

POP-001: Making a List and Checking It Ten Frickin' Times

I don't see why AI art is all the rage, but
boy do like it for blog posts.  

Revenants of the Lost Temple will be heavily themed, similar to but different than X-1 Isle of Dread. The climate is humid, very much like Veracruz, Mexico. It's not a primeval jungle, but a staged area. Populated regions run the risk of desertification. Abandon areas show their scars for decades and true wilderness is a riot of greenery. 

This creates an interesting scenario where getting lost on a road or trail is difficult, but leaving the beaten path can quickly shift the travelers into survivors. The Temple was lost due to a combination of environment, climate, and happenstance. Once abandoned, it was swallowed. Hundreds of years later and it is difficult to see the difference between abandoned and true wilderness. 

This flavors the sort of monsters the characters will encounter. Anything intelligent would have the ability to find the Temple. The Found Temple of the Revenants doesn't really ring. So much for my default idea of having the Kobold Tribe of Minwan wandering the area.  

I went through the monster's list from Old School Essentials and made a few choices based on the region and the challenges I wanted. I supplemented this list with animals native to Mexico. I suppressed everything I currently know about The Lost Temple and selected what seemed correct to the theme. 

Wilderness Monsters

1. Bat, Giant 
2. Bat, Normal
3. Boar
4. Cat, Ocolot
5. Centipede, Giant
6. Dryad
7. Frog, Giant
8. Green Slime
9. Grey Ooze
10. Harpy Eagle
11. Horse, Wild
12. Insect Swarm
13. Jaguarundi
14. Jaguar
15. Living Statue, Stone
16. Llama
17. Mule
18. Nixie
19. Pegasus
20. Rat, Giant
21. Snake, Python
22. Spider, Giant Tarantella
23. Spider, Normal Tarantella
24. Spider Monkey

I have a list of 24 critters. It's a bad wandering monster list because it includes a bunch of things that don't or shouldn't wander and more than a few would end in a total party kill. Many of these creatures should be static, events-type encounters. 

My favorite from the list is the normal bats. I've never killed a party with normal bats, nor would I suggest it. They are a perfect thematic encounter for setting the mood. Bats are nocturnal. Once a day the players should see them leave to hunt then hours later return to their caves, fat and satiated. It's not an encounter, it's a themed clock. 

The horses, mules, and llamas are more theming, they are lost, too. No one will die from these encounters but the sense of loss is reinforced by them. The pegasus and the unicorn give a sense of being out of one's normal place, a juxtaposition of the idea of being lost. 

The normal tarantellas, rats, ocelots, jaguarundis, and insect swarms are a part of the background environment, the living jungle. 

I'll have a whole post about the Living Statues, there is no intention of making the characters fight them. 

This leaves only 14 monsters on the wandering table and I think I will peel away 4 more to make the list 10 long. I think 10 monsters is perfect for a wandering monster list. At this link, I used 10 monsters for a whole campaign setting and I stole the idea from 3 Toadstool Blog over here. 

The goal of this product is to populate the Peninsula of Plenty with exciting, living places. In order to match X-1's page count, I need 15 more pages. Over on Ko-Fi, you can see more about this module. 

Shhhh.... A tiny hint of stuff to come (Update)

Welcome back. 

This could be a great thing... or all the sugar rockin' through my system. Anyway, it's the reason for the countdown timer to the right 

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As you can see, this is a module for 4 to 8 characters. I accidentally covered up the "Levels 1-3" statement with the background color. Not counting retainers.