Book Review - Population of Loss

Title: Population of Loss
Author: Michael DiBaggio and  Shell "Presto" DiBaggio
Illustrator: Shell "Presto" DiBaggio
Year: 2014
Pages: 46
Rating: 5 of 5 stars. 

I hate big screen or small screen characters render in novel form. It's always horrible, little better than the second Star Wars book, Splinter in the Minds Eye. I want to tell future readers that this is a mashup of comic book characters set in the science fiction worlds of 1880s and 90s.

It is, but it really isn't. The prose reminds me of the classic adventure of The War of the Worlds, which it should because it is implicitly set with in that world. Each of the four short stories captures that time period perfectly, no accidental or intentional anachronistic parts at all. The Signalman does remind me of Iron Man, but he is not remotely a superhero in that vein. In fact, I know that he should be a comic book character because that is what he was designed to be, but somehow, he isn't. Nor are any of the other characters.

Its hard to describe what the Celestial Paladin is, but I can tell you where these characters came from. There are hints of C. S. Lewis, J. R. R. Tolkien fused with H. G. Wells. The story "In Hoc Signo" starts in Well's world of Tripod invaders and ends with a taste of Lewis's Out of a Silent Planet. The writing is more than strong, it is powerful. Reading older works is often difficult due to the changing of styles. But Mr. and Mrs. DiBaggio do not struggle with this. They capture the flavor of these works, but also give it a style all their own. The easy comparison is to the past, but the authors manage to infuse this style with a more modern frantic-ness, in the vein of Dagberto Glib ("Love in L.A.") or Louise Erdrich ("The Red Convertible"). Perhaps it is the vignette style of these 4 short pieces that capture a tiny bit of introspection by the authors, which echos through each piece.

Regarding the illustrations, they are from a very different artist from the Shell "Presto" DiBaggio, who engages with her audience on social media. They have tiny reflection of the work of Kahlil Gibran. What is most interesting about the images of the Signalman and The Cyclone Ranger, is that they show an evolution of style over 2 years. The second is more like Mrs. DiBaggio's current artwork, but still reflecting the style of that old era. Like the writing, the illustrations have a touch of modern, frantic energy, while still embodying the works of arts from the past. Instead of being caught in between eras, they are great enhancements to the stories told. They fit perfectly.

I was only vaguely aware that the book contained artwork, and I would suggest to the reader that they obtain a paper copy as paper will always render the artwork closest to what the artist intended. It is an inherent flaw in all ebook technology.

I will give this book one more read, maybe two before purchasing the next title. It was an excellent primer for the world of Ascension Epoch.

Rejected Stories - Unwanted Snark

To keep the ball rolling, sometimes
you need to cut parts out. 

I have a file where I keep text that I find particularly interesting but useful to the task at hand. I use it as a prompt for other writing. This didn't fit because the narrator isn't the important person at this point in the story. You can file this under: "I wish this was fiction".

     The professor glared at us. The upside of being 44 years old and in college for the first time is, I am doing this on my own dime. I purchased a book, a seat and a professor. I don’t mind saying that if I have a need. The professors hate it, but word is out that I have the college’s customer service number. I’ve asked for the supervisor of two different deans. They frigging hate me. I can’t say I like me, either.
     My adviser is a double doctor. He has a Ph.D in Electrical Engineering and another in Adult Education. He is insufferable. We hit it off well. He told the 150 or so freshmen that if we wanted a different adviser, we would not be able to find a better one than he. 
     I snorted.
     “Did you have a better adviser in mind?” he asked.
     “Yes,” I said.
     “Who?”
     “Your mom sounds pretty good,” I replied.
     At the time, thought I was sharp.
     It turns out his mom also has a Ph.D. And she is on the college’s board. I wish I had done some more research before opening my mouth.
     In retrospect, it was all fairly predictable. 

Session 3 preview - North Market

The mapping of my town continues. This is the North Market area, which is "north" of the forum. This area is a mixed use zone, where row houses have popped up in a rather regular way in the North East section of this insula. However, down in the South West quadrant, the row houses are rather rough. 

The southern row houses look ruder because they are older, not because the people that live there are poor. It was a slap-dash build for people looking to get into the city fast. As you can see, there are a couple of rich villas right in with the row houses, separated by some green space. This is just a little off of the center of the city, so its still high society.

I am really loving this software and this style of map. It allows me to cover huge areas quickly, so that I can spend a few minutes mapping each day.

Each area has it's own little story in my mind and I can come back and add details later. I am probably not making the best use of Worldographer using the battlemat like this, but this town is hardly organic. It is relatively sterile and uniform as opposed to a town that sprung up from a chance placement of one house, or town square.

At the Table: Those wacky players.

Ah, my wacky players. I pretty much play fast and free with spell casting characters. In the first session, I note which spells they like and then take that into concentration when planning combat.

Theoretically, AD&D magic users should have a limited number of spells. When I plan a combat session, I write down what I want the bad guys to have.

Sometimes, this goes to wanting a specific flavor and other times I fall on the side of "team evil" and use those spells to hose the player characters with significant casting issues. Darkness, light, and silence spells can inflict horrible effects on spell casters, so I am generally pretty careful with them.

What makes my players so wacky is, I can't help but notice that the first couple of sessions, they riff through the spell list and just pick one to cast. After a few levels and encounters, I have flat out caught players casting off a list when they had been picking and choosing among all of the spells a session before.

In every case, the limited choices are comprised of scrolls and spell books found as treasure. What the heck?

Ah, dang. The players go from winging it at low levels to wanting a specific effect or flavor when playing more advanced, knowledgeable characters.

Should I hand out XP for quietly imposing limitations on one's self? I just might. What about you? Let me know in the comments below.