Review - How to Hexcrawl by Joe Johnston

Title: How to Hexcrawl

Publisher: Unknown
Author: Joe Johnston
Year: Unknown

Pages: 24 pages
Rating: 4.5 of 5 stars

Oh, the pain of being a historian and researcher. Reviews and criticism come at the drop of a hat. My third review, Raphael was an agonizing one star. I'm taking a break from novels. This series is all about the sci-fi and fantasy, so novels reside along side games. 

Let me throw a word out there: Impressum. It's a mark of ownership and pride. PRIDE! If you are offering you book on DriveThru or other publishing sites, put that in. Include your name, your website, your city, county and a date. Nothing is more frustrating than not knowing which Joe Johnston wrote an excellent book and guide for a world wide community. Which Joe Johnston is a thought leader? 

Enough whining. 

Mr. Johnston's How to He crawl is an excellent guide for players and DM's alike. My usual warning for reviews: this book is written for Labyrinth Lord but it is easily adaptable and applicable to other systems with little to no modification. 

How to Hexcrawl sets the stage with a brief introductory paragraph outlining how rewarding outdoors adventures are and plunges the sources used to create such adventures. Mr. Johnston spells out what organization he uses, why and how that will help the reader. 

The next sections detail how to begin, for both the DM and the adventures like. It is follow with the basic ideas and conventions with examples of usage. In a dungeon, the primary limitation imposed on players is the physical structure which imparts a sense of unknown. In hexcrawls, everything is wide open but perhaps only vaguely known. Mishaps such as navigation or failing to navigate rules game play. This is something well addressed by Mr. Johnston. 

Other challenges will occur along the way. Injury, weather and encounters are woven in at a very basic level. Whether a player is bit by a rattlesnake, the wagon tongue breaks or the logistic of travel are too challenging, this book provides guidance. 

Although a brief read, it is economically written, providing everything the reader needs to Hexcrawl. As a bonus, the layout is a great benefit to author and reader alike. The single column format is clean and the maps and artwork strengthens the work. For this piece breaking out the art and maps from the text is impossible. At 4.5 of five stars, it is hard to find room for improvement. 

From the Archive- June 13, 2012 - Gemstone IV Review

Here is a throwback post originally hosted on my MYGSIV and UNPWND.com websites. The game still goes strong in 2021. 

Gemstone IV is a persistent MMORPG, running since 1988. The player base is measured in the thousands with hundreds of player logged in at anytime. Gemstones IV is unusual, it is text-based. All locations, actions and events are described via the game window. Commands are input in a style similar to the old Infocom Games such as Zork or Hitchhikers Guide to the Galaxy.

Would-be-heroes have a choice of races and professions; Humans to Giantmen, Rogues to Wizards. Many of the classes are standard fare for fantasy games but others are wholly unique to GSIV. The classes are Warriors, Rogues, Clerics, Wizards, Empaths, Rangers, Sorcerers, Bards and Paladin. The most unique class is Empaths; they are healers who transfer wounds from an injured person to themselves. Then they heal themselves.

Races are more diverse than most games: Elves (dark, sylan, half), humans, giantmen, dwarves, aelotoi, Erithian, gnomes (burgahl and forest), halfling and half-krolvians. Each has its own favor and cultural background. In some cases there are obvious advantages to a race: Giantmen and drawves are sturdy and can carry more items, dark elves are immune to sickness, aelotoi have insect wings, halflings have better stealth and speed than average. All races are playable for all professions which is a nice switch and I will come back to that later.

The world of Gemstone IV has somewhat more depth than the typical hack and slash adventure. Characters can actually interact and change their environment. Wizards can create permanent magic items, weapons and armor and can recharge many of them. Sorcerers can recharge scrolls, make items and summon demons or animate dead creatures to do their bidding. Bards can play music or use musically based spells to generate sonic weapons and armor. They can also read the history of items or discover the purpose and abilities of weapons. Warriors can manufacture sheaths, repair weapons and armor. Clerics can raise the dead. Rogues can pick locks, remove them and install the locks on other pieces of equipment. Rangers can give temporary bonuses to armor and make magic wands and rods. Empaths heal. Paladins can bond with weapons for enhanced combat skills and raise dead like cleric.

In addition to the class skills above, all characters can forage for herbs, run messages, forge weapons, cobble, create arrows and bolts, and fish. Most class skills or secondary skills generate experience points. In fact, the game assumes that a character will complete between first three to five levels without combat at all.

All of these features create an environment of cooperation among characters. This is not you typical backstabbing player-vs.-player game. While you can kill other players, there is a justice system and social norms in place to keep this to a minimum.

There is the usual aspect of hunt together for treasure and better weapons and armor, but within the system it is possible for a player to hunt alone using nothing but the equipment their character was given at generation. No particular “player class vs race build” is needed to gain an advantage. Game balance is very well thought out.

I have spent years playing this game and the community and constant updates keep me coming back for more.

City of Nexus Map Bundle Review

Title: City of Nexus
Author: Seafoot Games  (Luke Seefuss and Rianna Stahl)
Rule Set: Any
Year: 2019
Pages: 5 pdfs, 15 pages each, plus 15 .jpg images. 
Rating: ★★★★★

Since this pandemic thing kicked off, I've been looking at Seafoot Games' City of Nexus bundle. It's been on the hot list for most, if not all of 2020. 

These sort of products give me fits for reviewing. How do I show an image without giving the milk away for free? Well, I'm gonna do my best by showing part of the title page of one of the five books included with set. 

It's impressive. Imagine this image with 300 px detail and multiply by five products. 

The books are nicely designed, with several pages dedicated to the Artist's Patreon following. The next ten pages include a 8.5" by 11" overview map, with nine pages dedicate to sections of the map. In this format, I advise printing one sided pages on photo paper. Every image has a grid for your figures, tokens or models. It's is wonderful with the right paper.

But I suspect that was not what the artist intended you to do. Each of the five maps has 3 jpeg files in 300px, 72px and one 300px poster size. The first two are perfect for virtual table tops and the choice of resolution is there to meet your needs. Sometimes, you don't want to pull up a massive file. 

These maps are battlemats for you to populate. They are extraordinarily detailed with beautiful set pieces, all obviously designed for each map in question. You could either ignore them or write them into your game. The set is ruleset agnostic for ease of use in any type of campaign. They are obviously medieval looking, but that's what 99% of OSR use. 

Back to "massive". The last jpeg for each map is a mighty poster 33" by 23" with a nice white border. It's perfect for framing as art OR to print off and cover with glass for your physical tabletop. Did I mention you get 5 of them? 

The price is great. It's CyberModay today, so I am not sure if there is a sale on right now, but at triple the price this is an excellent set. An easy 5 star product. 

Click the link to order. 

Hottest New Book City of Nexus | 20x30 Battlemaps [BUNDLE]

#TBT review - Dunromin University Press' SM00 A Traveller's Atlas of Dunromin and the Land of the Young Review

I just picked up a copy of SM00 A Traveller's Atlas of Dunromin and the Land of the Young and it is my new favorite item.

Title:  SM00 A Traveller's Atlas of Dunromin and the Land of the Young
Author: Dunromin University Press (Simon Miles)
Rule Set: OSRIC
Year: 2018
Pages: 28
Number of Players: N/A
Rating: ★★★★★

This is supposed to be a full color map folio of the Free City of Dunromin, but the work goes so much further. In addition to the beautifully drawn Free City, Mr. Miles killed it with amazing details of the surrounding area, political and physical maps of the Land of the Young, barony maps, maps of the continent and of the world.

The artwork is incredible, a great addition to any old school gaming campaign. Being a set of maps designed for OSRIC, it is generic enough to fit into any fantasy game system.

I just can't get over the art. The cover and some other images are wholly digital, but others look hand drawn. It's a near thing, I can usually tell the difference, but not in this product. Many of the pages are on a graph, but I can't tell if it's pencil on graphpaper, or digital work meant to look old school. There are a few pages where I think I can see blowthrough, like a scanner picked up information from a page behind the scanned page, but I can't be certain it isn't photoshopped to look like that.

I probably won't use this in my campaign, but I am already looking to see which pages I will print and frame. Simply put, it's awesome!

Priced a pay what you want, you can't go wrong with this title. I can't wait to check out the rest of the series.

If you need a Christmas gift and you have a nice printer and paper, this is perfect.

3.5 Review - Dungeons and Dragons Player's Handbook

Title: Player's Handbook (3.5)
Code: N/A PHB 3.5, unofficially
Design Team: Monte Cook, Jonathan Tweet, Skip Williams
Rule Set: Dungeons and Dragons 3.5
Year: 2003
Pages: 320
Levels: Any
Rating: ★★★★

D&D 3.5 came out in June of 2003. It wasn't until 2007 that I even looked at it. I wasn't mentally prepared to make the huge jump from AD&D and Basic D&D to 3.5, but it turns out I was. This is "These Old Games", I'm not going to review a new game...

The difference between AD&D and 3.5 is huge. Where AD&D hosted all of your character's powers and abilities under the class description, D&D 3.5 gives a cursory example of powers under class then allows you to pick from a menu of abilities.

The system is a standardized d20 system. Standardization from the ground up is very good. One of the great advantages of 3.5 is it breaks every character down into a couple of stat blocks, which makes building a quality, unique character ease. Each character is made of 8 different categories of descriptions, all of which is uniform between classes. As per any type of D&D, you start with ability scores, then everything changes. You select a race, a class, skills, feats, character descriptors like alignment and religion, equipment and finally spells, if any. All characters have the first 7 items, while only spell casters have spells, obviously.

Races stayed basically the name, but the variety of non-human sub-races were put away, presumably so DM could style their own. Gone were most racial limitations, welcoming in an age of official Elven Paladins. Races have a preferred class rather than classes they cannot perform in.

The number of classes and their relationships have changed greatly. AD&D has 11, 12, or 15 character classes, 3.5 streamlined that down to 11. Magic user and thief were renamed to Wizard and Rogue. Bard are a real class which is welcome change. Assassin, Illusionist, Cavalier and Thief-acrobat were all gone, but not really. Also, multi-classing is normal and with few restrictions, while duo-classing is utterly gone. Few very class abilities appear in under character class, they are regulated to feats.

Every character has a set of skills based on their intelligence and class. Each skill is linked to an ability, so no more nerfed Charisma.

Feats are an incredible departure from AD&D. They are special abilities that are so varied that each class can be used to create a completely unique feel. They are wholly based on class and level, so you continue to grow after creation. You can use feats to bring back those lost classes: Assassin, Illusionist, Cavalier and Thief-acrobat.

One downside to the feats system is that it is unbalanced. Magic using players are going to want the ability to make magic items, so they will lose combative feats. Rogues will want observational powers, which in no way equates to magical or combat abilities. While some of the feats are chained together with prerequisite feats, sometimes you can get two things that pair in a very unbalanced way. Usually this comes into play when you get a bonus to initiative plus some other combat effective ability, so that character always goes first with a big hit.

Your character descriptors are pretty self-explanatory, what is your outlook, demeanor, etc. But 3.5 cranks up the effect of religion on your character. You are no longer a psuedo-Catholic priest, but a follower of something out of our world. Spontaneous casting should also falls under this category, but it is described with the classes. Basically, your character can cast whatever they feel like if they have this ability. Additionally, clerics can always cast healing spells if the need arises.

Equipment has been regulated to an abstract system, almost like a tool kit for the class. It reminds of Star Frontiers' Standard Equipment Pack. I find it odd and basically ignore it. Equipment lives in the half-world of wonderfully standardized rules vs. massively extensible character variety. The designers probably realized this and went with it to allow players to access equipment that is otherwise too expensive by the charts at first level. It's not that much of a problem, really because back in the days of AD&D, I, the DM, was forking out cool equipment on character generation day.

Spells have been completely revamped and tied back to the mechanical systems of the game. Additionally, they have been realigned with the various schools and those schools are often dedicated to specific classes. A 3rd level Wizard spell might be a 7th level Sorcerer spell. Also, being in tune with the mechanics of play, there are no oddball spells that work like nothing else in the game.

Back to the standardized rules. ALL information combat information appears in the Player's Handbook. Back in the 70s and 80s, you'd make a character then wonder what you were getting into. With this book, you know. There are a few things relegated to the DM Guide, but they aren't enough to slow you down. THAC0 and decending AC are gone. Your opponent's AC is your attack roll target number, which is reduced by your attack bonus. Combat is speedier, attacks come more often than AD&D. The rounds seem to take longer, but a heck of a lot can happen in a given round without reducing combat to "high roll wins all".

Saves have also been revamped to fortitude, reflex and willpower. It's a nice, easy system. I think it's far better than charts, even though I lament the loss of the marketing statement: "Includes 31 illustrations, maps and charts".

While I still prefer to play my mashup of Basic, Expert and Advance D&D, the benefits of 3.5 outweigh any negatives. If I were doing a one shot or something and didn't have anything in specific in mind, this would be my rule set.

4 of 5 stars.

You can grab a digital copy from DriveThruRPG for less than 10 bucks.

"You're the scum of the Sector!" Star Smuggler Review

Title: Star Smuggler
Credits:
   Designer: Dennis Sustare
   Graphics Design: David Helber
   Map Art: Tom Maxwell
   Cover Painting: Bob Depew
   Edited by Arnold Hendrick
   File prep for online publication: Eric Hanuise
   Digital Character Record Sheets: Ron Shirtz
Rule Set: Unique to set
Year: 1982
Pages: 24 Page Rules Booklet, 20 Page Events Booklet
Number of characters: Solo adventure, many characters.
Rating: ★★★★

This game has a story to start the story. I came by my physical set back in the late 80s and loved it ever since.

But for the publishers, designer and author, the story was a bit more rocky. I don't know all of the details, but the Publishers, Heritage and the imprint Dwarfstar had a run of popular and cool games such as Barbarian Prince, Demonlord, Outpost Gamma, and Star Viking starting in 1981. These were all in house games created by Heritage/Dwarfstar. Two games were designed and created by outside designers, Dragon Rage and Star Smuggler. Hard times hit and the company and their imprint were down but not entirely out.

In 2003, Reaper Miniatures obtained the rights to many of these games allowed them to be reproduced online. (Click the link for all the games) In 2006, Dennis Sustare granted permission for limited online distribution by Dwarfstar.brainiac.com of Star Smuggler.

I snagged a photo of the game for this review. You can check out all of the art and the full game on Dwarfstar's website. I only mention this due to the Distribution Agreement at the end of this post, while the photo is probably fair use, I agree with the agreement below. Although I have a physical copy, I would like to thank Eric Hanuise for all the work in digitizing this game for online distribution.

So how does this game play? Very well for something probably designed, typeset and edited entirely by hand. You are playing "Duke" Springer, a business man turned criminal... maybe. Depends on how you roll, literally sometimes. After a quick read through the rules, you are ready to go. The rules spell out what you can do, but often not what you cannot do. That is to be expected in such a light weight game. Your character has 4 stats, hand to hand, ranged combat rating, endurance and cunning. All characters have the first 3, while only Duke has cunning. Cunning allows Duke to outsmart other characters and enemies.

To play, you write out your character stats, money and inventory on a sheet of paper. Recently, I don't know when, Ron Shirtz published a character record sheet and time tracker to make this task easier. You flip to e001 in the events book and you are off to adventure.

The future of the 80s was pink and green.

In the course of play, you can hire a crew, get in combat, buy and sell or run down many of the special events, some of which are relatively simply side quests. The goal is to pay off your debt on your starship, a total of 120,000 secs. or Sector Exchange Units. Every week you have 300 secs. interest payment and paying on principle doesn't reduce this amount. Back in the 80s, front-ending loans was thing, I guess.

The game has many locations where events occur and these locations are divided up in the System by planet and then planetary regions, like cities, starports, space stations, ruins, etc. It is a rather ingenious system which precludes oddities such a car dealer on a spacestation or military presence in a ruins, except for when those things would make sense in context. Travel from one area or planet to another eats a lot of game time, which is important for making those interest payments. You are totally on the clock, all the time, in this game.

Have you heard the phrase, "You need to spend money to make money"? That is totally true in this game. While it is a solo game, you need to hire a crew to be effective. And the crew gets paid, so you need to be sharp with your money.

How do you win? Pay off the ship. How do you lose? Die or lose the ship. Simple.

However, within the events booklet, there are seemingly dozens of different endings. I've never troubled to count the actual number but there are more than a few. The first time through, these auto-win, auto-lose events add flavor and spice, but on replay, they are an annoyance. Depending on your mood, you probably don't want to win or lose by a single die roll in a game that requires so many die rolls.

One of things that stands out in this game is the ever-changable scenery, the planets, tend to not so much scale as warp so you can have a very different experience on each one with the exact same mechanics. There are very few things in the game that change the mechanics, which is nice. The rules are dense, but once you have them down, they're easy to remember.

Some of the downsides to this game are many, but none of them are a deal breaker. The system has a simple but effective combat system, which is obviously lethal to participants. You can die in a shootout that leaves your crew alive, but purposeless. Game over. There are a number of cheap shot endings, which are annoying if you play frequently enough.

This game is actually complex enough to have a number of things in the middle ground as far as gameplay goes. First and foremost, there are some rather obvious things left out. You can pilot a ship, fight well and use a variety of weapons from ship guns to hand weapons. But you can't drive a skimmer, the 1980s' future version of a car. Skills can't increase, except Cunning. Combat is deadly in a vacuum, but can you depressurize your ship? Not covered, at least not as a purposeful action. Can you have two ships?

One of the stranger bits is the concept of "losing". There are a few events which specifically cause a lose condition, like death or imprisonment, but there are a number of ways to lose everything except your character. Is that a loss? Don't know. Without a ship, you can't do much, but you also have less of a chance of dying. So you can have series of lingering "not winning" scenarios.

There is a difference between the physical books and the digital files. Eric Hanuise remastered many of the confusing typos right out of the books, and incorporated all of the errata into the text. Thank you, Mr. Hanuise. The physical boxed set also had counters printed on the box cover edge. That did nothing for the box, which was sturdy before I cut it. Again, the counters have been reproduced and even improved. The ability to print as many counters as you like is wonderful, but I find myself using random counters.

The main upside of a programmed solo adventure is that it is always there for you. The big downside is, if you are a creature of habit, you can get yourself stuck in the game, repeating the same routes and sequences again and again. This isn't a limitation inherent to only Star Smuggler, it is inherent to all solo adventures.

All and all, I'd give this 4 of 5 stars even though it is one of my most prized games. It has a lot of bugs and flaws, but still worth a play or 100. Download it today.

DISTRIBUTION AGREEMENT -- PLEASE NOTE Dennis Sustare has granted permission for digitized copies of this copyrighted game to be posted for public download. The game and files are NOT released into the public domain. You MAY NOT not sell these files or charge a fee for access to them. You MAY NOT distribute these files except as authorized by Dennis Sustare. PLEASE RESPECT THE TERMS OF THIS DISTRIBUTION AGREEMENT so that these files can remain available for free download. By downloading any files from this page you are certifying that you will abide by the terms of this distribution agreement. All of these conditions must be posted prominently and openly on any page or site providing access to these files.

OSRIC Module Review - M06 The Warren

Title: SM06 The Warren
Code: SM-06
Author: Simon Miles
Rule Set: OSRIC
Year: 2019
Pages: 79
Number of characters: 6-10 characters
Levels: 5-8
Rating: ★★★★★

Today, I downloaded Simon Miles' SM06 The Warren. He publishes under the name Dunromin University Press, which has it's own website. I found it to be an excellent read even though I play a fused version of Basic D&D and AD&D, the OSRIC information seemed completely transparent in purpose. I don't think this particular module fits with my current campaign, it is clearly an homage to Keep on the Borderlands. I could totally use this as a high level one shot.

Oh, and the artwork is amazing.

The production values are just as high in this book as SM00, this module is loaded with artwork and maps. The maps seem to be a fusion of old school and modern styles, where I actually can't tell if they are wholly digital or a mixed media. One addition that this module has is little vignettes of the dungeon map by the text descriptions. These are obvious digital, but a very nice feature. Again, I really like his maps.

This module takes the party through the Burning Woods to the goblin heaven or haven of The Warren. The adventures start off with mere rumors and weapons to start their adventures. The maps cover miles and miles of terrain and the multi-leveled Warren. The module is 79 pages with zero filler.

Mr Miles describes this module as "challenging". After a read through it, that is an accurate assessment, but we're talking normal challenging, not Tomb of Horrors total party kill-fest. Additionally, Mr. Miles adds in tactics and weapons for the Goblin pack, which is a great bonus.

I am not sure what to make of the World of Barnaynia as yet, I feel that these modules under that banner are easily modified to plug and play anywhere, which is why a ranked these modules as high as I did. I would like to see and understand more of the World of Barnaynia, so I await more materials.

ORSIC Module Review - SM12 The Trials of a Young Wizard

Title: SM12 The Trials of a Young Wizard
Code: SM-12
Author: Simon Miles
Rule Set: OSRIC
Year: 2019
Pages: 48
Number of characters: 4-8 Characters, one must be a magic user.
Levels: 1-2
Rating: ★★★★★

A little while ago, I downloaded Simon Miles' SM00 A Traveller's Atlas of Dunromin and the Land of the Young. He publishes under the name Dunromin University Press, which has it's own website. I found it to be an excellent read even though I play a fused version of Basic D&D and AD&D, the OSRIC information seemed completely transparent in form and function. I feel like I could run this campaign setting with a couple of rule sets with little modification. Oh, and the artwork was spectacular.

I wanted to see how the rest of the series holds up so I downloaded SM 12, The Trials of a Young Wizard. The production values are just as high in this book as SM00, however, being a module, it doesn't show off Mr. Miles' artwork as much. The maps seem to be a fusion of old school and modern styles, where I actually can't tell if they are wholly digital or a mixed media.

One of the surprises in this book is the fact that it's a single module, it's actually 3 books in one. The titles are The Lost Son, The Return of the Cauldron of Millent and Murder at the Red Barn. Nice! Key information for the DM is bolded and the text boxes are infrequent and spare so that a seasoned DM has space to add flavor while giving a new DM important info to grow from.

The stories are linear from one adventure to the other, but the wording leaves wiggle room so that players can have their PCs recover between them. The second adventure begins with the line, "It's not a big deal really". So, feel free to recharge those PCs with a little R&R.

The mechanics of each story or module in this three part set take into account the character's limitations. The first is not particularly dangerous, figuring the PCs are low hit point starters. I would think that seating 8 players at the table would work better, and I am glad to see the module assumes this from the get go. One of the biggest changes from Basic D&D to modern rules is the assumption that there will only be a DM and 4 players vs. a DM and any number of players plus their NPC retainers. This is one of the reasons I prefer OSR and the older original stuff to the otherwise fine rules of later editions.

Game Review - G.A.S.L.I.G.H.T.: Glorious Adventures in Science Loosely Involving Generally Historical Times

Title:  G.A.S.L.I.G.H.T.: Glorious Adventures in Science Loosely involving Generally Historical Times
Author: Christopher Palmer and John R. "Buck" Surdu
Rule Set: G.A.S.L.I.G.H.T.
Year: 1984
Pages: 36
Number of Players: 2+
Rating: ★★★★★

I stumbled across this 2000 printing of  G.A.S.L.I.G.H.T., a game of Victoria hi-jinx. On the first reading, it strikes me as a Victorian era Striker game. You create your hero, his extras, etc. and then go off to encounter something. It could be just like Chainmail with a few differences.

It's decidedly different. You'd think that the rules revolve around the hero but you'd be wrong. All that nonsense stops at page 7 when you get to design vehicles. The meat of the system revolves around modular system to create vehicles, monsters, and other contraptions right of the serials of the 1860s. It's nuts! Steampowered villains against dragoons and kung-fu powered fighters? Go for it!

I love it.

Now for this game, you'll want oodles and oodles of minis. It'd be expensive, except the rules seem to assume that you obtained your kit from the 99 cent store. Bags of dinosaurs, robots, spaceships, cars, tanks and those weird erector set want-a-be things from Dollar Tree would do nicely. You can match your designs to your minis which is awesome.

Once you have designed and assembled your minions, you need to build a deck of cards. This feature reminds me of The Sword and The Flame. The deck controls who goes when. Nerve racking. The system proceeds down the order of battle: card draw, morale, shooting/throwing, move, reload, lather, rinse, repeat.

The rules are simple, because things get hectic fast.
While I have reviewed the original set here on These Old Games, you can obtain a completely updated set over at DriveThruRPG. The Compendium runs 190 pages, which is quiet an update from 36. If you want the 36 page set, check out Amazon. (It lists 40 pages, which includes the covers, and the inside covers which are also packed with information. I went by the actual numbered pages.)

You should check out Buck's webpage. It's old school awesome.

Oh, G-d damn. It's always the scale and basing with you people. Movement for infantry 6" and for cavalry is 12". Looks like HO, 28 mm, 1/72, 1/76 or something like that. Formations are wavy lines and blobs, so basing doesn't matter except perhaps for one figure per base.

Another Unreview - Fat Goblin Games - Gnoll Artwork

As I mentioned before, I am working a OSR/AD&D character class for Gnolls. It's still a work in progress, I am slow has hell. I've never drawn a gnoll in my life, so it was time to get some artwork from someone else.

I made a DriveThruRPG purchase of Fat Goblin Games artwork. The publisher's name is rather longer than that: "Publisher's Choice Quality Stock Art Ⓒ Rick Hershey / Fat Goblin Games".

I hope I got the artist name correct, because this is fabulous artwork.

In my discovery process for using other people's work in my products, I read through the licensing agreement, something I haven't done in a very long time. The license is excellent, probably covering any thing you might want to do with the work. There are some restrictions, which are also well thought out and completely reasonable. You get exactly what appears in the preview and cover, at a much higher resolution and in .tiff file format. So, fear not when ordering. It's all good.

In looking at it the artwork, I realized something. It doesn't fit with my style at all. My work is rather low end, and to be honest, this artwork is way too good to be paired with my works. I won't be using as a style choice. I have no idea what I will do. However, I will be framing a copy of the Gnoll for my game area. It is a very nice piece, which will be very suitable for other, professional content producers. I'm a hobbyist, not a pro.

What I am really looking at is the subscription model. For less than $100, you can get a 100 images by Mr. Hershey. To be brutally honest, I have no need of such a stockpile of work, but I want it. I want it for no other reason that it looks great. Even if I only LOVED 1 in 10 image, that's a steal for a card sized mini-posters for the game room.

Even better than 100 images for less than 100 bucks, is his Patreon account. I totally missed this aspect of Fat Goblin Games and wouldn't have known about if Merciless Merchants over on MeWe hadn't pointed it out for me. Thank you, MeWe community!

I would request a minor update from Mr. Hershey. A second file with a signature. I know Fat Goblin Games is looking at a completely different model of business, but sometimes good artwork is simply to be appreciated and needs an artist's signature.

I'm not going to do my normal stat-block for this unreview, It's great stuff. I'll close with 5 of 5.

Book Review - Population of Loss

Title: Population of Loss
Author: Michael DiBaggio and  Shell "Presto" DiBaggio
Illustrator: Shell "Presto" DiBaggio
Year: 2014
Pages: 46
Rating: 5 of 5 stars. 

I hate big screen or small screen characters render in novel form. It's always horrible, little better than the second Star Wars book, Splinter in the Minds Eye. I want to tell future readers that this is a mashup of comic book characters set in the science fiction worlds of 1880s and 90s.

It is, but it really isn't. The prose reminds me of the classic adventure of The War of the Worlds, which it should because it is implicitly set with in that world. Each of the four short stories captures that time period perfectly, no accidental or intentional anachronistic parts at all. The Signalman does remind me of Iron Man, but he is not remotely a superhero in that vein. In fact, I know that he should be a comic book character because that is what he was designed to be, but somehow, he isn't. Nor are any of the other characters.

Its hard to describe what the Celestial Paladin is, but I can tell you where these characters came from. There are hints of C. S. Lewis, J. R. R. Tolkien fused with H. G. Wells. The story "In Hoc Signo" starts in Well's world of Tripod invaders and ends with a taste of Lewis's Out of a Silent Planet. The writing is more than strong, it is powerful. Reading older works is often difficult due to the changing of styles. But Mr. and Mrs. DiBaggio do not struggle with this. They capture the flavor of these works, but also give it a style all their own. The easy comparison is to the past, but the authors manage to infuse this style with a more modern frantic-ness, in the vein of Dagberto Glib ("Love in L.A.") or Louise Erdrich ("The Red Convertible"). Perhaps it is the vignette style of these 4 short pieces that capture a tiny bit of introspection by the authors, which echos through each piece.

Regarding the illustrations, they are from a very different artist from the Shell "Presto" DiBaggio, who engages with her audience on social media. They have tiny reflection of the work of Kahlil Gibran. What is most interesting about the images of the Signalman and The Cyclone Ranger, is that they show an evolution of style over 2 years. The second is more like Mrs. DiBaggio's current artwork, but still reflecting the style of that old era. Like the writing, the illustrations have a touch of modern, frantic energy, while still embodying the works of arts from the past. Instead of being caught in between eras, they are great enhancements to the stories told. They fit perfectly.

I was only vaguely aware that the book contained artwork, and I would suggest to the reader that they obtain a paper copy as paper will always render the artwork closest to what the artist intended. It is an inherent flaw in all ebook technology.

I will give this book one more read, maybe two before purchasing the next title. It was an excellent primer for the world of Ascension Epoch.

Charles' New Podcast and Patreon

I have a couple of different outlets for communication. Facebook, MeWe, Ello, pluspora and a few others. The killer thing about promoting is that promotion is necessary, but by rote sharing doesn't work.

You need something more "organic", more "natural" to really get that impactful share to work for you.

I stole this image without permission, mostly because I used to have those dice.

Charles Thorin has a blog called "They Might Be Gazebos". I'm hoping that is a play on "They Might Be Giants", because I really like those guys. What do we have in common? Charles does reviews, he likes luck mechanics, creating interesting magic weapons and we both like to try different games.

What does Charles do that is different? He is a podcaster on Anchor, the host of Playing It Wrong. On the 'cast, he has a smooth voice but an exciting tone. This isn't the sort of 'cast that helps you to sleep at night. Playing It Wrong is an amplification of They Might Be Gazebos retooled for an audio format. He uses music and sound effects in enhance the show without being overbearing or obnoxious. Each podcast has a very newsy sound to it as Charles takes on currents in the blogosphere, topics that interest him, such as Swords and Wizardry.

Just a few episodes back he was talking about finding your voice, something that he has personally managed to do.

This week, to support his passion, he has launched a Patreon page to support his habit. I can't wait to see what new things he comes up with. Please take a moment to explore all the quality content on They Might Be Gazebos, the Playing Wrong Podcast and if you like, his Patreon Page.

Poll Results

I was shocked at the poll results. I was really expecting an old game like Star Frontiers to come in first, but also thought that a game like Catalyst's Introductory Box Set would do better due to the minis included. 

Winner with 10 Votes	8 votes	A tie at 3rd, with 5 votes
A tie at 3rd, with 5 votes	3 votes	2 votes

Good to my word, we have a review of Paranoia. 

Of course, I can't let these other games just sit. I'll be doing a review a week on the remaining sets. Stay tuned and again, thanks for your opinions.

Paranoia, Second Edition Review

Welcome to Alpha District, Citizen!

Let's start with the basics. Paranoia has been around for decades. This edition was produced by West End Games in 1987. It is a revamp of the first edition rules, which strips out much of the game mechanics in favor of pop-the-clutch-and-go fun. What was "removed" often ended up as an optional rule, which in the spirit of the game, could be ignored, introduced or changed willy-nilly during play. Players who claim to know the rules are deemed traitors and kills. So, computer, have at it. Whatever makes your players happy. And Happiness is Mandatory!

What does the game include?

• 136 page "rule" book
• 16 page booklet describing the life of a troubleshooter
• 1 20 sided die for something or other
• One box with colorful pictures 
• Not listed on the box are supplemental items such as character sheets, charts, (dis)loyal tests, vehicle control schematics, NPC charts and reports.  

The rule book includes a mini adventure demo in the front and a longish scenario or module in the back. The artwork is wonderful, while not perfect or extraordinary, it captures the theme of the games mind-bending laughs with a touch of sarcastic paranoia. This edition was compatible with all first edition modules, which is nice. 

Game play is quick. Each player is entitled to 6 clones, one at a time to represent the player's character. Unless the computer decides otherwise. As one character dies, another clone appears to take his or her place. Sometimes, they remember what happened to the last clone and sometimes they do not. Unless the computer is optimistic about the lethality. In which case, a second, third or 20th clone can be played at the same time as the other 1, 2, or 19. This will increase the likelihood that the player will turn on themselves, leaving other players bemused, horrified or shocked. 

In one session, I had a player holding 20 character sheets like a hand of cards and when he dropped sheet, that clone died. The book is chocked full of insane tips for pushing the charac... er... playe... er... maybe character's? paranoia buttons. My personal favorite is reading room descriptions with a stryofoam cup over your mouth to simulate a broken speaker.  

For a game that revolves around comedic death, the character creation process is robust. As are the choice of weapons and suggestions as to when to use them on your friends.. There seems to be a section on combat, but it is sort of optional. Except the coveted rear position, Troubleshooter. The motive and ability to bushwack other players is fun. Fun leads to happiness and Happiness is Mandatory! 

The included 19 page module, "Into The Outdoors with Gun and Camera" is laugh out loud funny. It works in tandem with the rules, basically forcing the players and computer through most of the rules. 

One issue I see with this set is the concept that the computer is ruthlessly hunting for "Traitors", a concept that was awesome and understandable in The Cold War, but perhaps won't play well with younger people today. 

You can check out Paranoia at DriveThruRPG. 

Boxed Set Reviews

I have two weeks off and ran ahead one week for 52 Weeks of Magic, I figured I would get some cleaning done. To that end, I have some box sets gathering dust. Time to do some reviews.

I'll be running a poll on MeWe to see which item goes first.

Title: Crash on Volturnus
Code: SF-0
Author: Mark Acres, Tom Moldvay with Doug Niles
Rule Set: Star Frontiers: Alpha Dawn
Year: 1982
Pages: 30
Number of characters: 4-8
Levels: 1
Rating: ★★★★★

Crash on Volturnus is one of my favorite modules. The player start of as passengers on the Sierra Dawn, where they first encounter trouble en route to Volturnus. After an epic battle and escape, players move on to phase two, an incredible hex crawl on the planet of Volturnus culminating in a final(?) battle with the pirate forces on the planet. Aided by the local inhabitants of the planet, surely the players will win the day.

This module was released with the Alpha Dawn rules set and to my knowledge, was not released independently of that set. I received my set of Alpha Dawn rules peice meal and ended up with two copies of the module. The whole boxed set includes giant maps and wonderful counters, which makes SF-0 a snap to play.

Crash on Volturnus is the first module in the series and was followed up by SF-1 and SF-2. The other SF series modules are unrelated, but are valuable as they are set up for characters to continue their adventures in new settings. The series was also brought back to life by the Endless Quest book Villains of Volturnus in 1983. It was published in relatively short time frame making the series rock solid in game play and feel.

Having played SF-0 several times, there are few game breakers built in to the scenario. First, when the escape pod crashes, the characters only have time to get the survival packs. Several of my players started out with standard equipment packs and used the coveralls as a makeshift backpack tied across their chests before seating themselves. Since the equipment was attached to them, I couldn't justify taking it. The players also started with 4 medical kits, which made them neigh unstoppable in combat. They kept pulling back to heal. Of course, these were the same players who tied their equipment to their chests. I kept running them against random encounters to try to eat up resources, but that was unfulfilling. Eventually, I figured I'd let them run in god-mode and kill everything and everyone. Many of the challenges they faced were thinking scenarios and not fighting scenarios, so it really didn't change the outcome. 

All and all, I found this one module to be the best of the best for Star Frontiers. What do you think? Let me know in the comments.

The whole shebang is available over on DriveThruRPG.

Alpha Dawn with SF-0
SF-1 Volturnus, Planet of Mystery
and SF-2 Starspawn of Volturnus

Be Careful What You Wish For...

My first offering on DriveThruRPG is Zero to Hero. In the past 5 days of sales, there have been 80+ downloads. Thank you so much for your support, but do you know what I really need? Reviews.

I am in the process of coming up with a second title by October. The reviews would certainly help me craft a quality product for you.

Again, thank you for downloading. But please let me know what you think.

Knight Hack Review with Reflections

 Title: Knight Hack
Author: Philip J. Viverito,
(1st edition by The Jogglers, which also included Ed Backer, Richard Kohlbacher)
Rule Set: Hack Series
Year: 2005
Pages: 52
Setting: Western Europe, North Africa, The Near East and Eastern Europe 1000 AD to 1400 AD
Number of players: 2+
Rating: ★★★★★

The original Hack series was born in 1991 and it was a reflection of the times. Knight Hack, Third Edition was born in the 21st century and is also a reflection of now. The game has a evolved so much, it is hard to see how 1st edition relates to third, except on first principles. This is a game for gamers, written and tested by gamers.

As the person responsible for supplying the art for original book, I have to say third edition is by far superior. Most of the clipart is gone, replaced by full color images of the game in actual play. The rules have been simplified with a new D-10 system, which reduces the rule length from 52 to just 19. This is accomplished by the removal of the concept of troop type and the premade Q.R.S. or Quck Reference Sheets for each era and type of army. The rules now have a proper table of contents and an index in addition to the required charts and 38 pages for the Q.R.S.

I hate to say it, but everything I knew about and all that I did for the first edition is gone. And the rules are better for it.

I've posted about my first Con in 1977. I still have the brochure. It was a formative time for me. I would have been all of 5 years old, and there I was watching WRG, Tractics and most importantly to me, D&D being played for the first time.  It left quiet the impression.

Fast forward a few years and I was in to all of these Games Designer's Workshop and Task Force products. I had Robots, Striker, Traveler and Federation Space. I still have them.

At the end of the day, knew that something like Knight Hack would be made. My parents made sure that I knew enough about games, the importance of play and of inspiration to know that things change and usually for the better.

Tonight, I stumbled across one of my first coloring books: Camelot.

The copyright is 1967, by the Whitman Publishing Company. You know, parents who make something like this one of the first coloring books is instilling a love a play, games and history. 

Drive Thru RPG carries the first edition rules here and Third Edition here.

Game Review - Knight Hack

Title: Knight Hack
Author: The Jogglers, Philip J. Viverito, Ed Backer, Richard Kohlbacher
Spearpoint Article: Lynne Viverito
Cover Art: Me
Rule Set: Hack Series
Year: 1991
Pages: 52
Setting: Europe, 1000 AD to 1250 AD
Number of players: 2+
Rating: ★★★

And now for something completely biased.

Way back in the 1980s I was very privileged to belong to a gaming group called the Jogglers. I wasn't even an official member, I was more like a mascot and computer nerd. I can't tell you how many games I played between 1988 and 1992. I recall a couple of occasions where a local mall was rented out for play testing, but then turned into mini-conventions to play dozens of rule sets. The Joggler's love their games. When I wasn't play testing this or that, I was editing clip art for the book. My brush with fame came from being able to use this:

The layout of the book was exceptional for the time. We used a Thunderscan and Imagewriter II to process photos. Clipart from 3.5 floppies were the source of much of the line art. The text was written in MacWord, MacDraw and MacPaint were the tools for maps and diagrams.

Knight Hack was born a fast playing historical miniature game. Initially, each turn takes about 15 minutes. After a little play, adept players can get this down to just a few minutes or less. Whole games can be played out in as little as 2 hours. The rule set allows for 15 and 25 mm figures. It was game made by players for players.

So why do I give a game that I play-tested and contributed to only 3 stars? The game evolved and improved with age. Second edition obviously merits 4 stars and Third Edition receives 5.

Drive Thru RPG carries the first edition rules here and Third Edition here.

Book Review - A Brief Study of TSR Book Design

Title: A Brief Study of TSR Book Design
Code: N/A
Author: Kevin Crawford
Rule Set: D&D
Year: 2015
Pages: 26
Number of characters: N/A
Levels: N/A
Rating: ★★★★★

A Brief Study of TSR Book Design is one of those excellent finds for any game master or would be B/X author. In just 26 pages, Mr. Crawford covers the design element of decades of publications for Dungeons and Dragons books. He covers the ins and outs of fonts, margins and styles used in games from the 70s, 80s and 90s. Get your game on!

Mr. Crawford also gives sage advice on direct copying of styles for a variety of reasons such as technological updates, copyright issues and creativity. This is a surprising and useful find for the would be module author and at its price of free is unbeatable. Easily a five star rating.